DC Studios' Clayface Tops Domestic Box Office with $24.5 Million
A24's You Can See Everything grew its weekend gross by 25% to reach $19.5 million in its second week.

The domestic box office saw a surprising turn of events this weekend, with DC Studios' Clayface taking the top spot with an estimated $24.5 million in earnings. However, the real story lies behind it, A24's You Can See Everything continued its impressive run, growing its weekend gross by 25% to reach $19.5 million. This marked its second week at No. 2 and lifted its domestic total to $45.1 million.
A24's documentary about Theranos founder Elizabeth Holmes had an unprecedented opening in just 855 theaters last weekend, earning $15.6 million with an impressive average of $18,245 per theater. It outperformed new narrative releases such as Whalefall and Sense and Sensibility, ranking second behind Paramount's Street Fighter, which opened to around $31 million from a significantly larger number of theaters, 3,575.
The success of You Can See Everything in its second weekend was largely due to A24 expanding the film's release by roughly 1,800 theaters to 2,655 locations. In contrast, Paramount's Street Fighter suffered a significant decline, falling to No. 4 with just $8.6 million, a staggering 72% drop from its debut.
This development highlights the resilience of You Can See Everything in the face of increased competition and expanded releases. The film continues to defy expectations, while other releases struggle to make an impact. As the weekend's box office numbers suggest, this story is far from over.
The box office battle between You Can See Everything and Clayface has taken an unexpected turn. The R-rated body-horror film about the Batman villain Clayface opened in 3,458 theaters to a modest budget of $44 million.
Clayface earned an A- CinemaScore, indicating a generally positive reception from viewers. However, it failed to meet Warner Bros.' weekend projection of $25 million to $30 million, landing below expectations instead. This outcome is particularly notable given the film's production costs and its status as one of the first major releases since the studio's merger with Paramount.
The success of You Can See Everything in its second weekend has provided a significant boost to its overall earnings. The documentary maintained a strong performance across 2,655 theaters in the U.S. and Canada, averaging about $7,345 per location. This indicates that the film's appeal extends beyond its initial loyal fan base.
The contrast between You Can See Everything's box office numbers and Clayface's performance highlights the complexities of predicting audience reception. While Clayface may have underperformed compared to expectations, it has still attracted a significant audience and generated substantial revenue.
The documentary's impressive performance has solidified A24's position as a major player in the industry, with Fielder's career also benefiting significantly from this milestone project. With its opening weekend ranking among the highest-grossing documentaries of all time, it is likely to be considered for several prestigious awards. Awards experts believe that it could make history by becoming the first documentary ever nominated for Best Picture at next year's Academy Awards.
The overall box office numbers are also encouraging, with total weekend revenue reaching $94.9 million - a 22% increase from the same period last year. This growth is reflected in year-to-date ticket sales, which have surpassed last year's pace by 20%, hitting $8.4 billion so far. The strong performance of both the documentary and the overall market suggests that the film industry is thriving.
As the industry prepares for next weekend, it appears that there will be a lull in new releases due to Halloween falling on a Saturday. With fewer films set to hit theaters, the box office may experience a slight dip before rebounding in subsequent weeks.
Facts based on reporting originally published by Fortune.
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