On a sunny October day in Woolwich, Maine, photographer Sarah Silbiger is shouting instructions at her associate Jason Bernert from the again of their van.

Foward. Backward. Forward. Backward.

The 23-foot Winnebago EKKO strikes awkwardly, altering route each few seconds as Bernert rigorously maneuvers it into place. It’s leaf peeper season in New England and the small restaurant car parking zone is stuffed with vacationers looking for a chunk to eat. The bustle makes the repositioning tougher.

Finally, after asking Bernert to “readjust the van a million times,” Silbiger mentioned, she has what she’s in search of. Framed up completely exterior of van’s again window is the 12-foot tall, 700-pound inflatable lobster that sits atop Taste of Maine Restaurant about 35 miles up the coast from Portland.

“What’s more Americana than oversized objects?” Silbiger mentioned.

It’s a tough query.

California.
Lassen Volcanic National Park, California.
Mancos, Colorado.
Twin Lakes, California.

For anybody who has pushed a substantial distance throughout the United States, this sentiment resonates. Mile after mile, the American panorama is dotted with marvelous nature, most kitsch and every thing in between.

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Silbiger captures this pleasant juxtaposition of the weird and delightful in a sequence of images titled ‘Wanderer’s Window’ that she made whereas touring and residing in a camper van throughout a yearlong sabbatical from November 2023 to November 2024.

Up till then, Silbiger had primarily documented the internal workings of Capitol Hill and the White House as a contract photojournalist in Washington, DC.

After about seven years of masking politics day-after-day, the repetition of the images began to put on on her.

“I really just kind of wanted to see the country and see the place we debate about all the time.” Silbiger mentioned.

Colorado.
Oregon coast.
Olympic National Park, Washington.

Silbiger’s artistic burnout and craving to discover the United States coincided with Bernert taking a buyout within the autumn of 2023 from his journalism job within the district. With nothing tying the couple to the town any longer, they pulled out a map and began to plot their route.

“We literally took a map and took a Sharpie and were like, okay,” Silbiger mentioned, “if we start in the winter on the East Coast, how can we follow mild weather for a whole year?”

As the couple headed west, Silbiger began to interrupt out of her artistic rut. “Every single mile of the road was a new visual for me. So, it was absolutely like a huge, creative adrenaline shot to the heart,” she mentioned.

One early cease concerned the bottom of the Sierra Nevada mountain vary in California’s Alabama Hills, the place Silbiger captured the picture that sparked the artistic imaginative and prescient for her sequence.

Canyonlands National Park, Utah.
Theodore Roosevelt National Park, North Dakota.
Alabama Hills, California.

After pulling into their campsite effectively after dusk, the couple climbed into mattress, questioning what and who surrounded them.

“We tuck ourselves into bed and we wake up the next morning and this was what my bedroom view was,” Silbiger exclaimed whereas displaying an image of jagged mountain peaks shrouded in low-hanging clouds because the morning solar washed gently over them. The entire scene was framed by the oddly skinny rectangular window of their van.

“Okay, now I had this first photo,” Silbiger mentioned. “How do I make the rest of them?”

Over the course of the subsequent 12 months, Silbiger and her associate zigzagged throughout 35 states chasing gentle climate, huge landscapes and something that piqued their curiosity. All the whereas she used their van as an enormous digital camera.

Kodachrome Basin State Park, Utah.
Near Organ Pipe Cactus National Monument, Arizona.
Maine.
Colorado.

“It’s really, really satisfying to get it just right because, you know, sometimes with digital photography, it feels too easy,” Silbiger defined. “But a 25-foot RV is not a user-friendly camera to make an exposure with.”

Silbiger’s portfolio is a reflective mixture of basic American motifs like Saguaro cacti and herds of bison, and odd roadside points of interest just like the inflatable Maine lobster. The sudden nature of the images mimics the invention of what lies on the open highway.

Despite driving roughly 25,000 miles, Silbiger is hungry to get again on the asphalt to proceed photographing.

“There’s always something cool to see around the corner,” she mentioned. “That’s the beauty of a road trip … What does the next road have to offer?”

Near Great Sand Dunes, Colorado.



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