EDITOR’S NOTE: Featuring the good, the dangerous and the ugly, ‘Look of the Week’ is an everyday sequence devoted to unpacking the most talked about outfit of the final seven days.
How many occasions can one have a good time the sartorial prowess of Zendaya? If this week’s international press tour for the upcoming Christopher Nolan epic “The Odyssey” proves something, it’s that the actor and all-around vogue muse is absolutely dedicated to the trigger of glamour.
The 29-year-old is the bodily manifestation of the phrase an excessive amount of vogue. She treats a ten-minute crimson carpet look with as a lot depth and painstaking element as she does her movie and TV roles. Her outfits, put along with her longtime stylist and “image architect” Law Roach, intrigue and command consideration, and may problem what you assume you actually find out about vogue. Now, 17 years into her profession, Zendaya is synonymous with red-carpet close to perfection.
For the Paris premiere of “The Odyssey” (the place Zendaya portrays Athena alongside a jam-packed solid of different Hollywood A-listers), the actor evoked a Greek goddess in a customized robe courtesy of Louis Vuitton. Constructed of angelic, two-tone white cloth and delicate “escargot” lace embellishment, the costume featured a daring cut-out torso, a high-leg slit and a frilly, ruffled bolero. The actor’s accompanying glam for the night additionally rightfully deserved a better look — make-up artist Ernesto Casillas was responsible for her goddess-esque glow, swashing her eyelids with an sudden pale cornflower blue eyeshadow from Prada Beauty.
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While this particular look was an haute-couture nod to the flowing, historical Grecian costuming we’ll see in “The Odyssey,” it additionally cheekily reminds onlookers that Zendaya is a reasonably latest bride, with her husband and co-star Tom Holland confirming to Esquire that the pair are certainly betrothed. And very similar to her fellow mega-famous peer Taylor Swift, Zendaya is conserving no matter unimaginable couture creation she wore down the aisle underneath lock and key. (At least with Swift we all know the man behind the costume was Dior’s Jonathan Anderson.)
Zendaya by no means simply serves one look, nevertheless. Her outings this week have been basically a trendy feast and a continuation of her commitment to method dressing for the red carpet. There was a creamy Jacquemus quantity in London that she paired with an on-trend dainty bandana and statement-making gold medallion earrings. She additionally wore a classic piece from Givenchy Spring 1997 Couture, a creation from Alexander McQueen’s tenure at the French vogue home together with a statuesque gold masks made in collaboration with Philip Treacy. (Just add it to the rising listing of her and Roach’s enviable archival entry.)
Maybe the most spectacular instance of Zendaya’s fashion star energy mastery this week nevertheless was when she appeared in Paris with a fresh-off-the-runway sculptural creation from Schiaparelli’s Fall Winter 2026/27 Haute Couture assortment. That morning, the garment debuted on the runway, worn by mannequin Ivy Stewart. By later that afternoon, it was slipped onto Zendaya as she graced yet one more “Odyssey” carpet in London — flown express via private jet, according to Roach — to make sure the star may grant the robe a correct debut.