“Is it stealing to take back what was stolen?” That’s the query requested within the trailer for “Relooted,” a video game by which gamers type a crew and plan a heist to reclaim real-life African artifacts held in Western museums.
Created by South African game developer Nyamakop, the game, to be launched on PC and Xbox, is ready in a futuristic Johannesburg, South Africa. The crew consists of scientists, pc programmers and MMA fighters — slightly than seasoned criminals — and guided by the fictional Professor Grace, a retired South African artwork historian annoyed by the glacial price of restitutions.
There are a whole bunch of 1000’s of African artifacts held in Western collections. As European nations colonized Africa, they took artwork and valuables. Some, such because the Benin Bronzes, were taken by force. This assortment of 1000’s of sculptures and plaques as soon as adorned the royal palace within the Kingdom of Benin, in modern-day Nigeria, and was taken by British troopers in 1897.
Some African artifacts had been acquired by coercion and others had been purchased.

Gallery: African artifacts in Western museums
Precise numbers are laborious to determine, however a 2009 report from the UN Educational, Scientific and Cultural Organization (UNESCO) estimated that 90-95% of sub-Saharan Africa’s artwork is held exterior of the continent. The affect of their absence has been immense, Chika Okeke-Agulu, professor of artwork historical past at Princeton University, instructed NCS. It could be like European civilization “without all the cultural artifacts of Greece, Rome, the Holy Roman Empire, the Renaissance,” he stated.
While many African artifacts are viewable in museums world wide, touring there isn’t all the time a sensible choice. “These museums are only accessible to the same people for whom they were built,” Okeke-Agulu stated, “Americans, Europeans and their peer nations.”
The game will function 70 artifacts to steal, a few of that are among the many most controversial within the ongoing debate round restitution.
While the artifacts are actual, the museums are usually not. The likes of the Metropolitan Museum of Art in New York and the British Museum in London are swapped out for cookie-cutter depictions of future Western museums.
In the way in which that Western nations characterised the whole lot of Africa as simply “mud huts,” Ben Myres, CEO and artistic director of Nyamakop stated, the builders “wanted to do the same thing back to the West.” Europe, referred to within the game because the Old World, is generically previous and stuffy, whereas the US, known as the “Shiny Place,” is a mixture of Las Vegas and Times Square.
The game is non-violent. Myres stated, “We wanted to contrast the very violent way the artifacts were often taken. The way the artifacts are reclaimed is not through brute force and overpowering, but outsmarting the very same systems and institutions which took the artifacts.”
The builders are adamant that they are not looking for the concept of stealing again cultural artifacts taken severely. Rather, they hope the game may be “reflective of the general frustration around repatriation.”

Quite a lot of African governments have formally requested the return of cultural artifacts. Legal limits by some governments on their museums, such because the British Museum Act 1963, and French inalienability legal guidelines, have stopped some museums from returning objects. However, progress has been made, and the French senate is because of vote on a regulation this yr that will simplify restitutions.
This comes after the French authorities commissioned a report in 2018 into African artifacts held in French public establishments. The report set out a course of to return artifacts, although solely 30 have been returned to African nations up to now, 26 of which had been to the West African nation of Benin. In August, France returned three skulls to Madagascar, together with one regarded as King Toera, a Malagasy king executed by French troops in 1897.
The British Museum instructed NCS in an e mail that it “understands and recognizes the significance of the issues surrounding the return of objects and works with communities, colleagues, and museums across the globe to share the collection as widely as possible,” including that its “ambition is to work in partnership with other museums around the world to lend or exchange items.” Alongside the Victoria and Albert Museum in London, the British Museum has loaned back gold Asante artifacts to Ghana.
In 2021, the Metropolitan Museum of Art introduced the return of three brass pieces to Nigeria. The museum didn’t reply to a request for remark.
Mohale Mashigo, the narrative director of “Relooted,” says the game is “African Futurist,” slightly than Afrofuturism as seen within the film “Black Panther.” Afrofuturism is “this melting pot of all the cultures we can find, whereas African Futurism stays true to the cultures that exist,” she stated.
The futuristic Johannesburg within the game options landmarks that can be acquainted to South Africans, one thing Myres stated is just not a typical expertise for an African gamer. “You don’t get to see Africa in the future very often. It’s almost like Africa is not allowed to dream and be hopeful of what the future looks like.”

The success of “Black Panther” confirmed Myres that they may have the ability to discover an viewers amongst the African diaspora and Western avid gamers, and in doing so, they may additionally have the ability to elevate consciousness of the restitution subject.
Okeke-Agulu thinks that video video games are an ideal format. Far from trivializing the controversy, it makes it accessible. “The producers of Relooted have used this knowledge producing platform to point to this important history and topic that is of relevance to Africans. I’m all in.”
The builders hope “Relooted” will encourage Western avid gamers to take an curiosity in African historical past. “The whole game is this invitation to learn,” Myres stated.
The game doesn’t but have a launch date, however a demo has been launched on Steam.