By Leah Dolan, NCS
(NCS) — At this 12 months’s Golden Globes, which befell Sunday evening, the red carpet vogue felt cut up. Many A-listers, comparable to Amanda Seyfried, Pamela Anderson, Kylie Jenner, Tessa Thompson, Elle Fanning and Natasha Rothwell, went the best way of the traditional “glamazon” — glowy and dewy in an ethereal gentle coloured or shimmering metallic robe. A smaller quantity, although, got here wearing one thing with somewhat extra edge.
Odessa A’zion, who performs reverse Timothée Chalamet as Rachel Mizler in Josh Safdie’s much-lauded “Marty Supreme,” wore black wide-leg trousers with a classic Dolce & Gabbana feather bolero jacket and black satin gloves. A’zion, who advised Deadline earlier this month she doesn’t make use of hair, makeup or fashion stylists, completed the look with a heavy black smoked-out eye.
Then there was Jenna Ortega, who is not any stranger to pulling a darker, extra extreme vogue assertion on the red carpet. Ortega’s black satin cut-out robe — which featured a Victoriana high-neck and puff-sleeves embellished with lengthy beaded threads within the type of epaulettes — was the work of cult British-Turkish designer Dilara Findikoglu. Mia Goth stayed true to her title, and arrived in a customized all-black satin Dior robe and heavy eyeliner, whereas British star Aimee Lou Wood went for a traditional big-skirted Vivienne Westwood robe produced from black tulle. Miley Cyrus, whose blacked-out shades have been ultimately eliminated to disclose her smoky eyeshadow, arrived in an inky-colored sequined Saint Laurent costume with pleated shoulder detailing that fanned outwards.
Elsewhere, Blackpink’s Lisa wore a black maxi skirt and sheer, witchy-sleeved prime by Jacquemus with black tassels; whereas singer Audrey Nuna donned a black and white cape costume adorned with jumbo-sized satin bows and a birdcage face veil from Thom Browne’s Fall-Winter 2024 assortment.
But these aren’t your typical LBDs (of which this 12 months there have been a lot, as stars tried to mirror the difficult politics of the time whereas nonetheless dressing for the event.) Through make-up and styling tweaks — Nuna, for instance, topped off her veil with a sweep of black lipstick, a notable departure from Browne’s runway imaginative and prescient the place the mannequin wore a traditional brilliant red — it’s clear these ladies have been channeling one thing moodier than only a timeless cocktail costume.
Call them the goth girls of the Golden Globes, oozing devil-may-care detachment and spicing up the glittering red carpet procession with somewhat bit of thriller.
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