EDITOR’S NOTE: Featuring the great, the dangerous and the ugly, ‘Look of the Week’ is a common collection devoted to unpacking probably the most talked about outfit of the final seven days.
This week, a pack has been circling. It started on the Schiaparelli high fashion present in Paris on Monday, when Demi Moore arrived in a cheetah print catsuit and matching coat designed by the home’s inventive director Daniel Roseberry.
Then on the Chanel present on Tuesday, a scene-stealing look from VIP visitor Dua Lipa as she seemingly channeled Fran Fine in a brash, tailor-made skirt go well with and 2.55 flap bag. Every inch of the pop star was coated in a mesmeric yellow, black and crimson swirl that regarded like animal print on acid.
By Wednesday, it was clear the memo had unfold from the town of lights all the way in which to New York when Kendall Jenner promptly stepped out in a beaded tiger stripe midi gown. Both outfits have been from Chanel’s Métiers d’Art 2026 collection, presented in December last year
It’s the ‘80s staple, however with a twist.
Since his debut final October, Mattieu Blazy is steadily making a identify for himself, gently reinventing what as soon as felt static — tweed, twin units and pearls, gown coats — into garments which might be new, thrilling and fluid. It is sensible, then, that one thing as acquainted as animal print seems recent and singular by way of his perspective. Lipa and Jenner’s seems are far out of your typical mob-wife costumes. There isn’t any coiffed hair, no stacks of gold jewellery, no Soprano’s styling. Instead Blazy’s take is extra playful — brighter, brasher and, within the case of Jenner’s tiger gown, in textiles that seem like toy items.
While Moore stored her entrance row look extra conservative, Schiaparelli has lengthy been experimenting with the boundaries of animal-inspired fashion (remember Kylie Jenner’s lifesize lionhead?) This season, Roseberry continued his mission with a high fashion assortment that featured reproduction reptilian textures, protruding tusk breasts, scorpion bustiers and a translucent two-piece skirt go well with rendered in hyperreal blowfish scales.
According to pattern analyst @databutmakeitfashion, normal leopard print is already on the rise. Some are calling it the Boom Boom era of fashion — the place the ‘80s doctrine of fur, clashing prints and a grasping, more-is-more method to dressing seems like a enjoyable cosplay alternative throughout an in any other case bleak financial, political and social actuality.
But possibly this time round, designers perceive that to cease us doomscrolling the animal prints of 2026 have to be louder and extra outrageous than ever. A new species fully.