Just 4 days into the brand new yr, Hollywood’s 2026 awards season kicked off in comparatively pared-back model at the thirty first Critics Choice Awards on Sunday night.

The annual ceremony is taken into account a bellwether for the Oscars, with the business carefully monitoring how hotly tipped motion pictures like “Sinners” and “Hamnet” carry out among the many Critics Choice Association’s (CCA) lots of of members. The star-studded awards present additionally presents a glimpse at the style tendencies which will unfold between now and the Academy Awards in mid-March.

If that’s the case, we could also be in for 2 months of smooth darkish robes, impartial palettes and womenswear spins on traditional males’s tailoring.

Organizers’ resolution to line the doorway to Santa Monica’s Barker Hangar with a black carpet, reasonably than a red one, set a considerably somber tone — one which was matched by an abundance of black fits and attire. Playfulness was expressed in different methods, nevertheless.

The voice forged of “KPop Demon Hunters” confirmed how you can put an adventurous spin on the monochromatic development, notably Audrey Nuna in a voluminous Marc Jacobs circle shift gown. The likes of Teyana Taylor and Keri Russell, in the meantime, turned to sharp suiting, with the latter amongst a number of attendees choosing reworked tuxedos, her completely cropped jacket adorned with an announcement brooch. Similarly, Ethan Hawke’s double-breasted swimsuit from Bode was given a folksy twist with white embroidered accents.

Elsewhere, “Marty Supreme” star Odessa A’zion oozed goddess-like glamour in a robe by Dubai-based label OTT; Chase Infiniti, nominated for her efficiency in “One Battle After Another,” shocked in a sleeveless, butter yellow Louis Vuitton two-piece; and Elle Fanning went archival in a shimmering classic gown by Ralph Lauren.

Celebrity stylist Law Roach gave trend insiders one other speaking level in Ariana Grande’s customized Alberta Ferretti robe. Always one for a distinct segment red carpet reference, Roach dressed Grande in what gave the impression to be a homage to American actor and singer Diahann Carroll, who wore a near-identical gown to the Oscars in 1969.

Meanwhile, Megan Stalter and her “Hacks” co-star Paul W. Downs playfully nodded to a way more latest occasion of red carpet dressing — emulating Timothée Chalamet and Kylie Jenner’s co-ordinating orange outfits from the “Marty Supreme” premiere in December.

Below are 13 key looks from the red carpet.

Ariana Grande continues to embrace her “Wicked” character Glinda’s signature pink — this time in a custom cape gown by Alberta Ferretti.
Jacob Elordi arrived in an all-black Bottega Veneta ensemble with shades.
Best Actor nominee Michael B. Jordan in a burgundy double breasted Louis Vuitton suit.
On a night of muted colors and understated styling, “Marty Supreme” star Odessa A’zion broke the mold in a sparkling, maximalist gown by OTT.
Elle Fanning shimmered in a gold archival Ralph Lauren gown.
Nominated for “The Diplomat,” Keri Russell offered a standout example of the ceremony’s women's tux trend in a Tom Ford suit.
(*13*)
Hamnet director Chloe Zhao wore an ethereal white lily-printed gown from Rodarte's Spring-Summer 2025 collection.
Ethan Hawke arrived in an embroidered double-breasted suit from Bode.
Britt Lower stepped out in a tactile cloud-like shoulder top from Bottega Veneta and cream twill trousers.



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