Among those who publicly denounced the film was Elon Musk, the world's richest man, who spared no criticism for what he considered a desecration of the ancient Greek narrative. Just four days after the movie's release, Musk vowed to produce a superior version. His comments added fuel to the fire, with some accusing him of trying to one-up Nolan.

The public has now caught its first glimpse of an alternative take on The Odyssey, courtesy of Grok, a company using xAI's video and image generation model to create an AI-generated version of the epic poem. This new rendition, dubbed the Grodyssey, is being met with curiosity rather than outrage, given the relative silence that has fallen over the initial film adaptation's controversies.

The new rendition of Homer's epic poem, The Odyssey, produced by Wonder Studios X using Grok's AI technology, is a seven-minute episode that appears to be part of an ongoing series. The clip shows Odysseus, King of Ithaca, resisting the call to war against Troy but ultimately being compelled by his oath of loyalty to sail with his army.

In a post on social media platform X, Elon Musk shared the clip, announcing it as Odyssey with Grok Imagine". However, the episode bears many signs of AI-generated content gone awry. The facial movements and dialogue delivery are stilted and unnatural, making for an awkward viewing experience.

The pacing issues in the episode are also jarring, with key events unfolding at breakneck speed. For instance, the Ithacans arrive on the shores of Troy mere moments after departing from their homeland, a timeline that defies logical progression.

The release of Grok's AI-generated version of 'The Odyssey' has been met with skepticism from experts and enthusiasts alike.

Many have questioned whether the chatbot's reinterpretation of Homer's epic poem is indeed a historically accurate representation of ancient Greece. The lack of attention to historical detail in certain scenes, such as the Ithacans' seemingly impossible journey to Troy, has raised eyebrows among those familiar with the original work.

Grok itself seems to acknowledge the limitations of its creation when asked about its historical accuracy. In response, the chatbot notes that many of the characters and events depicted are not supported by historical evidence, but rather are rooted in myth and invention.

The controversy surrounding Grok's AI-generated version of 'The Odyssey' has taken an interesting turn. Despite criticism from some quarters that it deviates significantly from historical accounts, the company is standing by its creative liberties, acknowledging that adapting a millennia-old legend allows for artistic freedom.

Grok's response seems to be a reflection of Elon Musk's tendency to make grand promises, which are not always feasible or accurate. The company's stance on this matter appears to be a calculated one, aimed at placating critics while maintaining the integrity of its creative vision.

Wired: https://www.wired.com/story/grok-says-its-ai-generated-version-of-the-odyssey-is-not-historically-accurate/

The company is testing new tools for creators who produce episodic content, such as serialized shows or series. These features are designed to encourage users to stay on Instagram rather than migrating to YouTube. The move is seen as a response to the growing popularity of YouTube among TV viewers.

A prime example of this trend can be seen in "Subway Takes, a show hosted by Kareem Rahma that started life as a short-form interview series before expanding into longer-form content on both YouTube and Tubi. With 4 million followers, it's clear that Instagram has the potential to host more substantial shows.

The company is now looking to entice creators to produce their own long-form content within its platform, rather than relying on rival sites for ad revenue and user engagement. Whether this strategy will pay off remains to be seen, but one thing is certain: Instagram is trying to catch up with YouTube's impressive reach and influence.

Instagram has introduced new features aimed at keeping users engaged within its ecosystem, rather than leaving to watch longer-form content on other platforms.

The Features format allows creators to produce videos up to 90 minutes long, which can be viewed seamlessly without requiring a departure from the app. Currently, this option is available only to a limited number of creators in the US and Brazil. This development suggests Instagram's desire to provide users with more substantial content within its own platform.

In addition to these changes, Instagram is also expanding its reach through TV apps. The Instagram for TV" app will now be available on Apple TV, joining other platforms such as Samsung, Amazon Fire TV, Google TV. Users can access a feed of video content from friends they follow or have interacted with.

The main Instagram feed is being tested to seamlessly connect episodic content within the Series format. Eligible creators can add videos to a series and label them accordingly; users can then watch these episodes in order from the start.

Instagram's long-form video experiment is expanding to more countries by the end of this year, offering creators a new way to showcase their content.

One notable feature of this test is the ability for clips to drive engagement directly back to the original video, eliminating the need for users to search for the longer version. This streamlined approach allows creators to reach their audience more efficiently. The test also enables eligible creators to link up to eight clips to a single long-form video.

This move marks a significant shift in Instagram's offerings, as it continues to evolve and compete with other social media platforms like YouTube. While this isn't the first time Instagram has ventured into long-form content, it is a major leap forward for the platform.

The absence of some key features in this new format is notable, including the inability to watch videos while continuing to scroll through Instagram or multitask by opening other apps with the content visible in a picture-in-picture pop-up. However, Meta has confirmed plans to introduce automated transcripts and subtitles in the future.

Instagram is exploring ways to test pre-roll and mid-roll ads that could potentially result in creators receiving a share of the ad revenue.

This development comes as Instagram continues to grapple with how to effectively monetize its content creator community, a challenge it has faced in the past. According to Adam Mosseri, the platform's head, previous attempts at creating a broad revenue-sharing program were not profitable for Instagram. In fact, he stated that the company spent more on such initiatives than they generated in return.

The introduction of ads is seen as a way to incentivize creators to produce higher-quality content and potentially increase engagement. However, Mosseri acknowledged that past experiments with creator monetization programs had yielded disappointing results. He noted that when Instagram previously offered incentives for creating content, the output was not significantly greater than what creators were already producing voluntarily.

Ultimately, Instagram will need to find a solution that balances its own financial needs with the desire of creators to be fairly compensated for their work.

Business Insider: https://www.businessinsider.com/instagram-doubling-down-long-form-video-culturally-relevant-episode-tv-2026-10

Mississippi, traditionally a reliably Republican state, has become an unexpected battleground for the party. GOP Senator Cindy Hyde-Smith is facing a tough challenge from Scott Colom, one of several Democratic underdogs who have managed to expand their party's reach due to widespread voter discontent with inflation and other aspects of Trump's presidency.

The visit underscores the shift in power dynamics that could occur after Election Day, as control of Washington and statehouses hangs in the balance. The stakes are high for both parties, with Republicans seeking to maintain their grip on power and Democrats aiming to capitalize on growing disillusionment with Trump's leadership.

Trump's rally with Hyde-Smith marks the beginning of a critical week for both sides, as they clash in a series of key states that will determine the outcome of the elections.

As Election Day draws near, both parties are intensifying their efforts to sway voters in key battleground states. In addition to Trump's rally in Mississippi, other top nominees and surrogates are also hitting the campaign trail, greeting almost 30 million people who have already cast their ballots.

In Wisconsin, Democratic gubernatorial candidate David Crowley is teaming up with Milwaukee County Executive David Crowley for a joint appearance, which would be significant if he were to win. As governor, Crowley would become the state's first Black leader, and his campaign has been gaining momentum in this crucial battleground state.

Meanwhile, in Georgia, Senate Democratic nominee Jon Ossoff and gubernatorial candidate Keisha Lance Bottoms are getting some high-profile support from Kentucky Governor Andy Beshear. Just two days after Trump visited the state for a second time this month, Beshear's endorsement is seen as an important boost to the Democratic ticket.

In Minnesota, the focus will be on economic issues that have been affecting many Americans. Senate Democratic nominee Peggy Flanagan is welcoming House Progressive Caucus Chairwoman Pramila Jayapal to advocate for universal healthcare coverage through a national health insurance plan.

House Democrats are also increasing their spending in key districts, with the House Majority PAC announcing almost $2.5 million in new expenditures in Minnesota and Indiana. The effort aims to make gains in areas that had previously been considered solidly Republican, such as rural and small-town districts like the one represented by Governor Tim Walz.

As Trump's visit to Mississippi draws near, the midterm landscape is coming into sharp focus, with just a week left before voters head to the polls.

Hyde-Smith, the incumbent senator, has traditionally been a strong contender in the state, having won by an average of nearly 20 percentage points in three presidential elections. However, Colom's campaign is gaining momentum, fueled by his ability to tap into voter concerns about inflation and Trump's declining popularity.

Colom, a local prosecutor, has made significant strides in fundraising since launching his campaign last year, outpacing Hyde-Smith in the process. His efforts have not gone unnoticed, with a recent ad drawing national attention for its clever use of satire and social commentary.

The ad features a clip of Hyde-Smith downplaying the impact of beef price increases, which were driven higher by Trump's tariffs and fuel spikes resulting from the Iran war. Colom then appears on screen, suggesting that voters should "pick another senator instead."

The Senate Democrats' super PAC has invested $1.2 million in the Mississippi contest, a significant but relatively modest sum compared to other states with larger television markets.

This investment is a crucial factor in the state's smaller media landscape, where every dollar can have a greater impact. The last time a Democrat won a Senate seat in Mississippi was 1982, when John Stennis secured his final reelection bid despite being an outspoken segregationist at one point in his career.

The current Senate majority is held by Republicans with 53 seats, while Democrats need to flip at least four more seats to change control.

ABC News Politics: https://abcnews.com/Politics/wireStory/trump-heads-mississippi-parties-prepare-final-sprint-ahead-137576849

According to a message on the VeYou app, users have been informed of the impending closure. In an email to Business Insider, Harper confirmed that he would continue producing series, but instead of distributing them through his own app, they would be released via TikTok's PineDrama platform, YouTube, and other partners.

Harper's decision to shut down VeYou comes as no surprise, given the rapidly changing landscape of micro dramas. These short, low-budget series have gained immense popularity in recent times, particularly in China and the US. As Big Tech companies like TikTok, Meta, and YouTube continue to invest heavily in this format, it has become increasingly difficult for smaller players like VeYou to compete.

Harper's credits include notable films such as "Star Wars" and "Top Gun: Maverick", but his efforts to bring prestige sensibility to micro dramas through VeYou ultimately fell short. The high cost of marketing often outweighs the relatively low production costs of these series, making it a challenging business model for apps like VeYou.

VeYou's strategy has focused on producing high-quality content that can be licensed to other platforms, rather than competing directly for users.

This approach was seen as a way for VeYou to establish itself as a reliable supplier of micro dramas, rather than trying to stand out in a crowded market.

The company's seed funding from S32, a venture firm backed by Google Ventures founder Bill Maris, has helped support its content creation efforts.

Harper's goal is to create original series that can be sold to other platforms, generating revenue through licensing deals.

In recent months, the micro drama landscape has undergone significant changes with the rise of AI-generated characters and free, ad-supported offerings.

A report by media consultancy Owl & Co. found that two-thirds of films released by leading apps outside China in the third quarter were created using artificial intelligence.

This shift towards AI-generated content is having a major impact on the market, as platforms like TikTok's PineDrama offer users free access to micro dramas with ads supporting the service.

The rise of micro dramas has led to a surge in competition among platforms, with tech giants like YouTube and Meta expanding their offerings to include longer-form content. In response to this trend, VeYou's producing partner RIVR Media is shifting its focus towards creating more traditional scripts, acting, and direction for its series.

VeYou's films are now being featured on TikTok as part of the platform's efforts to acquire new subscribers through ads. These ads can be up to 20 minutes long, allowing users to experience a full-fledged micro drama within the app. This strategy is part of Meta's broader push to increase engagement and drive user acquisition.

VeYou's success on TikTok has been notable, with its series performing well based on platform data and monitoring by RIVR Media. The company's CEO Lori Golden-Stryer attributes this success to the appeal of live characters in micro dramas, which she believes sets VeYou apart from AI-generated content.

Business Insider: https://www.businessinsider.com/tommy-harper-veyou-hbo-of-micro-drama-apps-shutting-down-2026-10

Among the new additions is a nonstop flight to Bermuda, which will operate on a weekly basis during the summer season. This new route will cater to travelers looking for a tropical getaway and marks an exciting development for the carrier's international offerings.

In addition to the Bermuda service, United Airlines is strengthening its presence at San Francisco International Airport (SFO) by introducing three new routes. These include transcontinental flights to Charleston International Airport in South Carolina and Hartford's Bradley International Airport.

The airline will also resume daily services to Will Rogers International Airport in Oklahoma City, which was previously suspended during the pandemic. The return of this route underscores United's commitment to restoring pre-pandemic schedules and connections for its passengers.

United Airlines plans to operate these new routes using Boeing 737 family aircraft, including its Chicago service to Bermuda and the two transcontinental flights from San Francisco.

United Airlines has added a new route from San Francisco to Oklahoma City, which will be operated by an Embraer 175 regional jet. This development marks one of the four new routes announced by the carrier as part of its expansion plans.

In addition to Oklahoma City, United is also launching a second nonstop flight from Chicago's O'Hare International Airport to Bermuda. The British overseas territory is situated approximately 650 miles off the North Carolina coast and will be served by Boeing 737 family aircraft. This new route gives travelers more options for visiting Bermuda.

The expansion plans also include two routes that are familiar to some United flyers, as they were previously operated by the carrier. San Francisco's SFO-BDL flights were last offered in 2018, while the SFO-OKC service ended in April 2020 due to the pandemic. The new Charleston flight will provide Bay Area travelers with an alternative way to explore a popular vacation destination in South Carolina.

The addition of these four routes comes as part of United's efforts to strengthen its ties with Air Canada and expand its presence in key markets. This latest expansion follows a recent announcement by the carrier regarding several new routes to Canada, which are also aimed at bolstering its partnership with Air Canada.

United Airlines has expanded its route network with four new services, including a flight to Bermuda, which will be operated on a seasonal basis. The carrier has also bolstered its presence in San Francisco, where it will now offer more flights.

The expansion includes the introduction of service to Newfoundland via St. John's, marking United's easternmost destination in Canada. This latest move follows the airline's recent announcement regarding new routes to Canada, aimed at strengthening its partnership with Air Canada. The addition of these four new services is set to enhance travel options for passengers and further solidify United's position as a major player in the aviation industry.

The Points Guy: https://thepointsguy.com/news/united-airlines-summer-2027-expansion-bermuda-san-francisco-hub/

Peralta, a former member of the Brewers' pitching staff, is set to face his old team for what could be his final start with Tampa Bay as a pending free agent. He has been a key contributor to the Rays' rotation this season and will look to help them even up the series.

The game is scheduled to start at 8 PM ET on Fox, and there are no weather concerns that might impact play. The Rays are listed as -120 favorites at DraftKings, but despite their popularity with bettors, they're actually taking a relatively small percentage of wagers.

According to betting trends, there's a strong lean towards the Over on the total of 7 runs, which could indicate that fans and bettors alike expect a high-scoring game. The Brewers are still favored to win the series in five games, with odds of +210.

The Brewers' task in Game 3 will be to contain their former teammates from the Rays, who have been grinding out victories throughout this postseason. To do so, they'll need to play a clean game, free of errors that can give opponents momentum.

Milwaukee's experience with comebacks is well-documented, having overcome four-run deficits on two separate occasions in these playoffs. This feat has only been achieved by five teams in MLB history, with the Brewers joining an exclusive group alongside the Phillies from 2022. Their ability to rally from adversity is a testament to their strong team management.

The Brewers' winning streak of seven games in the postseason is a new team record, with no other club having achieved such a feat since Texas notched eight consecutive victories in 2023. Moreover, Milwaukee has dominated opponents in the late innings, outscoring them by an impressive 15-2 margin from the seventh inning onwards.

Their ability to close out games has been a key factor in their success, and it will be crucial as they look to wrap up the series against the Rays. A sweep would make history for the Brewers, who aim to become the first club since the LCS became a best-of-seven format in 1985 to achieve this feat.

The stakes are high for both teams, with neither wanting to suffer a sweep in the World Series. The last time it happened was in 2012, when the Tigers defeated the Giants.

The Milwaukee Brewers' playoff wins have been largely thanks to their relief pitchers, who have earned victories in eight of nine postseason games this year.

Robert Gasser will take the mound for Game 3 against the Tampa Bay Rays, marking his first full season as a major league starter after debuting three years ago. In those 20 starts, he compiled a respectable record and ERA despite facing tough opponents.

Gasser's performance in the playoffs has been limited to just two appearances so far, but he has yet to receive a decision in either outing. His numbers are impressive, however, with only six hits allowed over nine innings pitched.

The SportsLine Projection Model is calling for Gasser to pitch around 5.4 innings, striking out approximately 4.8 batters while allowing 4.4 hits and 1.9 earned runs against the Rays.

The Brewers' Freddy Peralta is set to face his former team, the Rays, in Game 3 of the World Series after being traded away from Milwaukee.

Peralta's performance since joining Tampa Bay has been impressive, with him not allowing more than one earned run in any outing since August 26. In the playoffs, he boasts a stellar record of 2-0, along with a hold and a minuscule ERA of 1.08 over four appearances spanning 16.2 innings.

In his most recent outing against the Brewers while still with the Mets on July 20, Peralta was rocked for seven runs over five and a third innings. His former teammates Andrew Vaughn and Cooper Pratt both hit home runs off him that day.

The SportsLine Projection Model forecasts Peralta to pitch around 5.1 innings in Game 3, striking out approximately 5.2 batters while allowing 4.8 hits against the Rays.

Peralta has a strong track record at Tropicana Field, boasting a 1.45 ERA over seven starts since joining Tampa Bay, with 37 and a third innings pitched.

Tropicana Field has hosted a World Series game only once since 2008, and it's clear that home-field advantage plays a significant role there.

The model predicts a close contest between the two teams, favoring the Brewers with a score of 4.3-3.7, but some experts have opted for Tampa Bay +1 as insurance, recognizing the potential for a competitive game.

CBS Sports: https://www.cbssports.com/betting/news/brewers-vs-rays-world-series-game-3-picks-freddy-peralta-aims-to-handle-former-club-make-this-a-series/

Kelson's experience in Japan wasn't entirely new to him, having spent time there as a teenager through an exchange program. He had also returned to the country a couple of times as an adult before his relocation with Netflix. During this period, he developed a deep appreciation for Japanese culture and way of life.

After leaving his job at Netflix earlier this year, Kelson decided to stay in Japan and pursue new ventures. He recently renovated a kindergarten in Uenohara and has also founded an independent cinema called CineYama in the same town. This marked a significant departure from his previous role with one of the world's largest streaming services.

The experience of running a cinema in a small Japanese town is vastly different from Kelson's time working for Netflix, but he seems to be thriving in this new environment. His story will continue as we explore what led him to open a movie theater and how it has become an integral part of the local community.

I maintained ties to Tokyo by attending occasional meetings and traveling throughout Asia for film screenings. This allowed me to stay connected to the industry while working remotely from home.

The restructuring at Amazon led to my departure in 2024, but I had already made Japan my home. My family's decision to relocate was driven by a desire to raise our children in this vibrant country.

My daughter was only six months old when we moved, and three years later, my son joined the family. We believed that Japan offered an ideal environment for them to grow up.

As I settled into life outside of Tokyo, I began to think about how I could use my expertise in cinema to give back to the local community.

As I navigated my new life outside of Tokyo, I found myself pondering ways to leverage my film expertise for the benefit of the local community.

This train of thought likely stemmed from my past experiences working in various capacities within the film industry, which had sparked a curiosity about the world around me. My early encounters with filmmaking were particularly influential, as I took a course at the Detroit Film Center when I was just 23 years old. This marked the beginning of a professional journey that would see me work as both a teacher and projectionist.

My experiences in the film industry continued to unfold, taking me from an independent art theater in the suburbs to renovating an old school's auditorium into a theater in Michigan using my own savings. However, after disputes with the landlord led to its closure, I was left searching for a fresh start. This ultimately led me to Los Angeles in 2011, where I sought out opportunities within film distribution until landing a job on Netflix's creative team two years later.

The path that had brought me to Japan was not without its twists and turns, but the experience of acquiring permanent residency there proved to be a significant milestone in my journey. With this new foundation established, I turned my attention to renovating an abandoned kindergarten, a project that required navigating the complexities of obtaining necessary permits.

Renovating the abandoned kindergarten posed new challenges. The process involved negotiating with city hall officials and local residents about how the building would be used, establishing a company, and complying with regulations regarding fire safety, health standards, and construction.

This was a learning experience for me, particularly in terms of understanding the importance of patience when dealing with bureaucratic processes in Japan. I discovered that pushing to expedite decisions is not always effective; instead, it's essential to build trust and demonstrate a commitment to the project over the long term.

As part of the renovation process, I restored an old kindergarten building into a cinema called CineYama. This involved several milestones, including securing the property, passing inspections, installing equipment such as projectors, and finally opening the doors to the public.

The cinema's grand opening in March was met with a mix of curiosity and skepticism from local residents, particularly elderly ones who were initially cautious about the new development. However, after attending a preview screening, they expressed their appreciation for the effort put into restoring the building and creating a space where families can enjoy movies together.

The cinema's unique approach to content is a deliberate choice, designed to showcase films that may be harder to find elsewhere. This focus provides viewers with a broader perspective on different ways of life and culture, setting it apart from more mainstream cinemas.

Behind the scenes, the theater is largely family-run, with the owner managing operations and their wife contributing occasionally. Even the kids get involved, helping out by stamping tickets when they're around. The cinema's casual atmosphere extends to its concessions, which include popcorn and snacks.

The owner's experience in film distribution, creative production, and international screenings has been invaluable in running the theater, particularly in Japan where he faced unique challenges. Having opened the cinema in his 20s after years of working abroad, he was well-prepared for the demands of running a business in a foreign country.

Despite the difficulties, the owner finds living in Japan exciting and rewarding, citing the diverse people he's met as one of its highlights. The challenges he faced at Netflix have also stood him in good stead, having learned valuable lessons about resilience during his time there.

Business Insider: https://www.businessinsider.com/moved-to-japan-family-netflix-job-career-change-kindergarten-cinema-2026-10

However, the true standout performer this weekend is A24's documentary You Can See Everything. Despite expanding to 2,655 locations from just 855 previously, it still managed to rake in a substantial $19.5 million in its first weekend of wide release. This impressive haul has left industry observers and analysts alike stunned.

The continued success of You Can See Everything is not limited to its box office performance alone. With a total gross of $45.1 million over just two weeks, it's already cemented itself as one of the highest-grossing documentaries in history. Its awards season prospects are also gaining momentum, with many speculating that it could even be nominated for Best Picture at the Oscars.

Industry expert David A. Gross notes that You Can See Everything has become a cultural phenomenon, drawing in a significant number of young viewers and sparking conversations about money, dreams, truth, and reality. With A24 reportedly investing just $7 million in this project, its massive success is all the more impressive.

Warner Bros.' Clayface has taken the top spot at the box office, narrowly edging out A24's release in 3,458 theaters. This is a promising start for the Gotham City villain tale, which marks the third theatrical release under the stewardship of James Gunn and Peter Safran.

The film's modest budget of $44 million has paid off, with an impressive opening weekend haul. Adding to this success was its international performance, where it raked in an additional $19 million. This level of box office draw is particularly noteworthy given the relatively low production costs compared to other comic book films.

DC Studios must be breathing a sigh of relief following the underwhelming reception of Supergirl earlier this year. Despite grossing just $126 million worldwide on a budget of $170 million, Clayface has shown that it's possible for DC to take calculated risks and still achieve commercial success.

Audiences have given Clayface a high grade, with an average CinemaScore of A-. This is particularly impressive considering the film's horror genre, which can be notoriously challenging to break into. With reviews also largely positive, Clayface may yet prove to be one of the top draws for horror fans in October.

Industry analysts are hailing Clayface as a prime example of studios taking bold creative risks and reaping rewards. According to Paul Dergarabedian, head of marketplace trends for Rentrak, Clayface is a great example of studios taking chances with DC venturing into R-rated horror and body horror."

Last weekend's top film "Street Fighter suffered a significant drop in its second weekend, falling 72% from its opening weekend earnings. The video game adaptation, made for around $80 million by Paramount Pictures, managed to rake in $8.6 million domestically.

Meanwhile, the stop-motion animated film Wildwood, directed by Travis Knight and produced by Laika, debuted in third place with an impressive $11.8 million in 2,779 locations. This was a notable improvement over Laika's previous release, The Missing Link, which opened with just $5.9 million.

Despite its strong start, Wildwood is unlikely to turn a profit due to its hefty production costs of $100 million. The PG-13 fantasy film follows the story of a teenage girl who ventures into an enchanted forest in search of her abducted baby brother.

The weekend also saw the release of Wicker, a quirky love story starring Olivia Colman and Alexander Skarsgård, which opened with a respectable $5.8 million in 1,471 theaters. Acquired by Black Bear Pictures for just $2.5 million at Sundance, Wicker is a well-reviewed fable about a fisherwoman who commissions a basket maker to weave her a husband.

Taika Waititi's Klara and the Sun has underperformed at the box office, earning a modest $725,000 from 880 theaters for Sony Pictures. The film's reception was lukewarm to negative, with many critics panning its adaptation of Kazuo Ishiguro's novel.

Sacha Baron Cohen's mockumentary Ali G: Who Iz I? fared even worse, failing to generate significant buzz despite the comedian's efforts to promote it through interviews as himself. The film's theatrical run was marred by controversy over cultural appropriation and racial caricatures in the UK, which likely contributed to its limited success.

In contrast, You Can See Everything has been a surprise hit, raking in $19.5 million at the box office, while Sense and Sensibility" trailed behind with an estimated $3.4 million.

ABC News Entertainment: https://abcnews.com/Entertainment/wireStory/surges-195m-box-office-clayface-takes-1-137556208

Skin-flashing silhouettes have taken center stage, as stars like Rosalía have traded in cozy layers for bold, revealing designs. At the 2026 Billboard Latin Awards in Miami, Rosalía stunned in a black Tom Ford by Haider Ackermann look featuring a skirt suit with a bra top and belted detail.

The trend of skin-baring fashion is not limited to Rosalía alone, as Alexander Skarsgård also made a statement at the Wicker premiere. The actor wore a custom Chopova Lowena outfit that included a graphic pleated skirt and tee featuring his co-star Olivia Colman's face.

Other celebrities have also joined in on the trend of sheer and daring fashion, including Kim Kardashian and Naomi Ackie. At an event in Rome, Kim Kardashian wowed in a vintage Yves Saint Laurent leopard-print gown, while Naomi Ackie opted for Dilara Findikoglu's leather vampy dress ahead of Halloween weekend.

The stars were out in full force this week, showcasing their personal styles in a variety of skin-flashing silhouettes that left everyone talking.

Dua Lipa made a statement at the Metropolitan Opera world premiere gala, where she stunned in a sleek ensemble that accentuated her curves. The singer's outfit was a far cry from her usual bold and daring fashion choices, but it still managed to turn heads at the event. With its streamlined silhouette and attention-grabbing details, Lipa's look was sure to be remembered for days to come.

Meanwhile, Jenna Ortega opted for a more understated yet equally eye-catching outfit at the "Klara And The Sun New York Screening. Her choice of clothing may have been less flashy than some of her peers, but it still showcased her impeccable taste and sense of style. Whether she's walking the red carpet or attending a private event, Ortega always seems to bring a touch of elegance and sophistication to the table.

In London, Simone Ashley was spotted at the DeMellier Flagship Launch Event, where she made a bold fashion statement in a daring ensemble that showcased her confidence and poise. With its daring cut-outs and eye-catching details, Ashley's outfit was sure to be remembered for days to come. Whether she's attending a high-profile event or just running errands, the actress always seems to bring a touch of glamour and sophistication to everything she does.

Olivia Dean also made an impact at The 2026 Mercury Music prize, where she wore a striking ensemble that perfectly captured her edgy and eclectic personal style. With its bold colors and daring details, Dean's outfit was sure to be remembered for days to come, cementing her status as one of the most stylish stars in the industry today.

The stars continued to shine brightly on the red carpet this week, showcasing their personal styles and flair for fashion at various events around the world.

Rosalia turned heads in Miami as she attended the 2026 Billboard Latin Awards at James L. Knight Center, where her outfit was a testament to her bold sense of style. Meanwhile, Kim Kardashian brought her signature glamour to Rome's 21st Rome Film Festival, where she attended the All's Fair screening at Auditorium Parco Della Musica.

Alexander Skarsgård and Gemma Chan were also spotted on the red carpet, with Skarsgård attending the Los Angeles Premiere of Black Bear's Wicker" at DGA Theatre in California, and Chan receiving the Outstanding Achievement in Acting Award at the 27th Annual Newport Beach Film Festival.

Vogue: https://www.vogue.com/slideshow/10-best-dressed-stars-rosalia-jenna-ortega-naomi-ackie

Their latest outing at the Rome Film Festival was no exception, where they both drew attention to themselves in striking ensembles. However, it was Kris Jenner's outfit that stole the show, featuring a dramatic black velvet hooded cape adorned with intricate embroidery.

The cape's ivory silk lining framed Jenner's face and added an extra touch of glamour to her overall look. She paired it with long white gloves and a floor-length white gown underneath, completing the elegant yet bold ensemble.

Jenner's choice of cape was a nod to its rich history in Hollywood, dating back to 1969 when Elizabeth Taylor wore a similar design to Princess Grace of Monaco's 40th birthday celebrations.

The occasion itself was notable for being Princess Grace's famous Scorpio Ball, held on November 15, 1969, in honor of Kelly's own star sign.

The connection between the Scorpio cape and renowned fashion designer Karl Lagerfeld remains unclear. It's possible that he was involved in creating the garment while working as a freelance designer for Tiziani at some point. Christie's has suggested that the cape may have been one of his works, although this claim is yet to be confirmed.

The cape eventually made its way to Christie's auction house in 2011, where it was sold as part of Elizabeth Taylor's extensive personal collection for a substantial $74,500. The sale highlights the enduring value and allure of high-end fashion items.

Whether Kris Jenner wore the original cape or a replica is still unknown. However, her decision to don a similar design was fitting given her own connection to the Scorpio sign, which she shares with her birthday on November 5. The significance of this astrological coincidence has not been lost on observers.

The Kardashian-Jenner family's affinity for Elizabeth Taylor extends beyond mere fashion inspiration. At the recent Academy Museum Gala, Kim Kardashian wore an archival Balenciaga gown from 1951 that was said to evoke the style of the Hollywood icon. This latest homage underscores the enduring influence of Taylor's glamour and elegance on contemporary fashion.

The Kardashian-Jenner family's love for vintage fashion knows no bounds, as evidenced by Kim's recent runway appearance for Balenciaga. The reality TV star stunned in a stunning ensemble that included diamond Lorraine Schwartz jewelry once owned by the iconic Elizabeth Taylor.

In a nod to her own personal style, Kardashian also wore an archival Yves Saint Laurent haute couture gown from 1986 to the Rome premiere of her latest project. The leopard-print dress was sourced by celebrity vintage go-to Lily et Cie and featured a unique blend of structure and drama, perfectly capturing Kim's signature flair.

When paired with mother Kris Jenner's matching velvet hood, the two created a matchy-matchy moment that showcased their individual yet complementary approaches to glamour. A day earlier, however, they had demonstrated differing tastes in sparkling attire: Kardashian opting for a cutout Erdem creation, while Jenner chose a glitter-trimmed Chanel skirt suit.

This latest display of vintage fashion flair underscores the enduring influence of the Kardashian-Jenner women on contemporary style, as they continue to push boundaries and defy expectations with their bold and eclectic choices.

Vogue: https://www.vogue.com/article/elizabeth-taylor-scorpio-cape-kim-kardashian-kris-jenner

The war in Ukraine has taken center stage as it poses significant security risks to the country, particularly following drone attacks on ships in the Black Sea off its coast. This stark reminder of the conflict's reach is expected to influence voter decisions at the polls. The election comes at a critical time for Bulgaria.

Voting stations are open from 7 a.m. to 8 p.m., with exit polls to be released once voting concludes. Official results will not be announced until up to 48 hours after polling ends, allowing voters and observers alike to wait for a clearer picture of the outcome.

Despite the largely ceremonial role of the presidency in Bulgaria, the head of state holds considerable power, including the authority to appoint interim governments during times of crisis, serve as commander-in-chief of the armed forces, and veto legislation.

Bulgaria's presidential election has highlighted deep divisions over Ukraine, with some candidates vying for power advocating dialogue with Moscow to bring peace to the war-torn country.

Iotova, a strong contender in the polls, has expressed her support for negotiating with Russia as a means to resolve the conflict. Her stance on this issue is seen as a key factor that could influence the outcome of the election and potentially boost the popularity of current President Radev.

Gyurov, Iotova's main challenger, has taken an opposing view, backing military aid for Ukraine and criticizing Radev's foreign policy. Gyurov, who enjoys significant support from the pro-Western opposition, is also a strong advocate for Bulgaria's continued ties with NATO and the European Union.

The election landscape is further complicated by the presence of several other candidates who openly back Russia, including Kostadinov, leader of the far-right Vazrazhdane party.

The presidential elections in Bulgaria have taken place amidst a complex backdrop of international tensions and domestic concerns. The recent attacks on Ukrainian satellite internet equipment near Sofia have fueled speculation about Russia's intentions to escalate the conflict.

Radev's government has declined to directly blame Moscow for the strikes, despite the president himself suggesting that they seemed to benefit Russia. This ambiguity has only added to the uncertainty surrounding the election landscape, where multiple candidates are vying for power with competing agendas.

The economic struggles of Bulgaria, including rising energy prices and inflation, have also dominated campaign discussions, as voters seek a stable government to address their pressing concerns.

DW English: https://www.dw.com/en/bulgaria-holds-presidential-elections-amid-divisions-over-ukraine-war/a-79753496?maca=en-rss-en-world-4025-rdf

A disputed foul call in the fourth quarter of the match did not go in favor of the Valkyries, prompting their head coach Natalie Nakase to express her discontent with the officials.

The decision seemed questionable, given the nature of the contact involved, leading Nakase to lodge a formal complaint with the referees on the court.

Nakase's reaction was immediate and intense, showcasing her frustration at what she perceived as an unfair call.

The WNBA Finals series has reached a crucial turning point after Saturday's 67-62 win by Golden State locked it at 2-2, leaving both teams to reassess their strategies and identities.

As the series shifts into unfamiliar territory, the Atlanta Dream and Las Vegas Aces must confront their inconsistent performances. The Dream, in particular, are struggling to replicate their previous two games' momentum, while the Aces have managed to reclaim a sense of self and dominance on the court.

The stark contrast between these teams is evident in their respective attitudes towards adversity. While the Dream seem to be crumbling under pressure, the Aces appear to thrive in high-stakes situations. This dichotomy has been a recurring theme throughout the series, with neither team able to assert a clear advantage.

As the series enters its final stretch, with only three games remaining at most, the winner will likely be determined by which team can convincingly embody the characteristics of a seasoned champion. The Aces have already demonstrated their ability to adapt and respond to adversity, leaving the Dream to ponder how they can match this level of resilience and determination.

The Valkyries star was seen outside the locker room before Game 3, blowing on her hands due to the air conditioning inside State Farm Arena, which had been set too high after a disappointing home loss in Game 2.

She maintained that keeping the team's temperature down was a rational approach. The loss was unavoidable, and she acknowledged as much. Her focus shifted from dwelling on the past to moving forward.

The star player later revealed her true emotions, unleashing a fiery outburst during a post-loss huddle with her teammates. She continued to express her frustration in the locker room, ultimately deciding that she had been too lenient as a leader and needed to tighten up.

In Game 4, she made a statement by hitting a crucial turnaround jumper in the first quarter and vocalizing her discontent with the referees or the Dream sideline. Her anger was palpable throughout the game, and it seemed to drive her performance.

As the game wore on, it became clear that Golden State's aggressive defense had caught Atlanta off guard. The Dream seemed to underestimate the Valkyries' ability to mount a comeback, and they struggled to adjust their strategy in response.

The decision to bench players like Hayes and Charles for Nakase was intended to inject more emotion and energy into the game, but it backfired as the team's composure began to unravel. Atlanta's usually reliable free throw shooting was woefully off, with nine misses contributing significantly to Golden State's lead.

The Valkyries' Angel Reese was visibly frustrated by her own mistakes on the court, particularly two point-blank shots she botched in a crucial fourth-quarter possession. When asked about his performance, Reese acknowledged that he had fallen short of his usual standards and seemed annoyed by it.

Seventeen turnovers and poor shooting from the free throw line ultimately proved to be too much for Atlanta to overcome, setting up a deciding Game 5 with high stakes for both teams.

As the WNBA Finals reach its climax, tensions between the Atlanta Dream and Golden State Valkyries have reached a boiling point.

The series has been marked by intense defensive battles, with both teams making each other's lives difficult on the court. However, it's not just about the Xs and Os, the pressure of the moment is also taking its toll. Players are starting to show signs of frustration, which can be seen in their body language and reactions.

The Valkyries' Nakase acknowledged that her team took a deep breath before the game on Saturday, knowing how crucial it was to stay focused under intense pressure. Despite this, both teams continue to learn from each other as they clash on the court. The more they play, the more they realize their dislike for each other, at least, for now.

The series has become a best-of-three contest, with the winner earning not only the trophy but also bragging rights. The competition is fierce, and the basketball may not be the most polished due to the intensity of the games. Nevertheless, the theater of this showdown promises to be tremendous, featuring two willful teams fighting for every inch on the court.

Yahoo Sports: https://sports.yahoo.com/articles/crybaby-gesture-said-wnba-finals-070107553.html

The Brewers' unconventional approach to managing their team means that labels such as closer or reliever are largely irrelevant. Manager Pat Murphy focuses on assembling the best combination of players for each game rather than adhering to traditional roles.

Ashby's impressive statistics demonstrate his value to the team, with 13 wins in the regular season and one win and three saves in the playoffs so far. He has also been called upon to pitch multiple innings, showcasing his versatility as a reliever who can perform under pressure.

Ashby's dominance on the mound has earned him a reputation as one of the most formidable postseason bullpen weapons in recent history. His numbers in the World Series are staggering: 15 ⅔ IP, 5 H, 0 R, 3 BB, and 17 K.

Ashby's postseason performance has been nothing short of remarkable. His numbers in the World Series are staggering: 15 ⅔ IP, 5 H, 0 R, 3 BB, and 17 K.

However, it's worth noting that Ashby was not always this dominant. He had a solid regular season with a 3.12 ERA and 1.31 WHIP, but his postseason numbers are on a completely different level. The statistics suggest he has been transformed into an elite relief pitcher during the playoffs.

Ashby's ability to perform under pressure in critical situations has been a key factor in the Brewers' success. He has consistently entered games with narrow margins and managed to hold the lead or close out victories for his team. His performance in Game 1 of the NLDS was particularly impressive, as he retired all four Padres batters he faced.

In the NLCS, Ashby continued his strong postseason run, pitching crucial innings and helping the Brewers secure key wins. He entered games with one-run leads on multiple occasions and successfully closed out victories for his team.

In the World Series so far, Aaron Ashby has made a remarkable impression, securing 10 outs without allowing a single run while protecting significant leads for his team. He successfully shut down opponents in Game 1 when the Brewers had a two-run lead and again in Game 2 with a one-run advantage.

Ashby's impressive performance is all the more remarkable considering he was drafted in the fourth round from Crowder College, defying expectations of what a prospect from such an unexpected background could achieve. His manager, Pat Murphy, praised Ashby's unorthodox approach to pitching, noting that it's unconventional for a reliever to enter games with multiple-inning stints.

The Brewers' strong bullpen is often cited as one of the team's greatest strengths, but Ashby has been particularly dominant throughout the playoffs. The team's well-roundedness is evident in their ability to excel across various aspects of the game, except perhaps in home runs, where they make up for it with timely hits that have proven crucial.

With two more wins needed to secure the championship, Aaron Ashby is on the cusp of making history as one of the greatest postseason relief pitchers in MLB history.

CBS Sports: https://www.cbssports.com/mlb/news/2026-world-series-aaron-ashby-brewers-playoff-scoreless-streak/

Despite being considered the best team in the American League, the Rays have been outplayed by the resilient Brewers, losing both games by a single run. Their performance has left many wondering if they will even make it past this round of the tournament.

In their latest loss on October 24, the gap between the Brewers and the Rays grew wider as the latter continued to commit mistakes that ultimately cost them the game. One such error occurred when first baseman Jonathan Aranda failed to catch a ball rolling through his legs, resulting in a run scoring for Milwaukee.

The Rays' woes were compounded by a botched pop fly by Chandler Simpson in the sixth inning, which led to a charitable single and set off a chain of events that ultimately gave the Brewers the go-ahead run. Meanwhile, an aggressive decision to send Liam Hicks home on a single resulted in his catcher being thrown out at home, cutting down what would have been a crucial insurance run.

The Brewers' win has left them just two victories away from claiming the championship, while the Rays are facing an uncertain future as they struggle to find their footing in this series.

The Rays' struggles continued as they found themselves facing an uphill battle in the series after losing two crucial games at American Family Field. Despite taking an early four-run lead, their momentum was short-lived as the Brewers managed to claw back and take control of the game.

In the first inning alone, the Brewers scored two runs on singles from William Contreras and Garrett Mitchell, effectively halving the Rays' advantage. This set the tone for the rest of the game, with the Brewers slowly chipping away at the Rays' lead until it was eventually erased by the sixth inning.

Rays ace Drew Rasmussen was left to deal with a heavy workload, as he threw 48 pitches in just two innings and 66 by the end of the third. This put immense pressure on his pitching situation, which would only become more dire as the game wore on.

As the Rays' lead disappeared, their mistakes began to compound and ultimately proved costly. One such error was a throwing mistake by Cooper Pratt, allowing the leadoff batter to reach base. Logan Henderson's three run-scoring hits, including a two-run homer by Hicks, also did significant damage early in the game.

The Brewers' relentless pressure eventually took its toll on Rasmussen and the Rays' pitching staff, forcing them to make perfect plays with their arms. However, it was not enough to overcome the mounting mistakes that ultimately sealed the team's fate, leaving them facing an uncertain future in this series.

The Rays' lead was trimmed to 4-3 in the bottom of the fourth inning when David Hamilton scored on a play that could have been cut down by Aranda from third base.

Sal Frelick's run batted in for one of the Brewers' runs, and they were granted an extra out due to the earlier error.

After a two-out walk to Jake Bauers, Rasmussen was pulled from the game after just 3⅔ innings. Cam Booser then came on to pitch a scoreless fifth inning.

Manager Cash had decisions to make about how to proceed with his pitching staff. He could have gone with right-hander Griffin Jax or brought in right-hander Tyler Wells earlier than expected.

Instead, he chose lefty Ian Seymour, who has struggled recently and walked two batters before allowing Frelick's liner to clear the wall and tie the game.

The Rays' struggles continued as they failed to capitalize on a 4-0 lead in the series. The momentum shift was evident when Wells had to be summoned to finish the inning after Simpson's error allowed the ball to pop out of his glove.

Wells, a pitcher accustomed to throwing just one inning, seemed to lose his rhythm, yielding a leadoff double to Brice Turang in the seventh. The damage could have been more severe if not for Garrett Mitchell's long drive to right field, which only advanced Turang to third base on the flyout.

In a crucial decision, Cash opted for righty Kevin Kelly over Wells to face Pratt. Kelly proved to be a less intimidating option, and Pratt predictably put the ball in play with a single past a drawn-in infield.

The Rays' inability to close out games has been their downfall throughout the series. With their lead evaporating, they must now win two of their next three games to extend their season beyond Tampa Bay.

Yahoo Sports: https://sports.yahoo.com/articles/rays-own-worst-enemy-brewers-040423621.html

Industry insiders have pointed out that the MacBook Neo was a preemptive measure by Apple to stay ahead of rising costs. With tariffs and memory prices surging, it was clear that the company couldn't maintain its previous entry-level laptop's pricing for long. The MacBook Air, in particular, saw a significant price hike just three months after the Neo's release.

The MacBook Neo achieves its lower price point by making some compromises, including the use of an iPhone processor instead of Apple's M-series chips found in other modern Macs and iPads. This decision has raised questions about how well a smartphone chip can handle a desktop operating system like macOS.

Despite initial reservations, the MacBook Neo seems to be handling macOS surprisingly well. While there are some notable limitations, they are largely expected given the hardware choices made by Apple. The real question on everyone's mind is whether it's worth waiting for an anticipated refresh that could bring significant improvements.

The MacBook Neo's use of an iPhone chip has sparked debate among tech enthusiasts and experts alike. While it may not be the most powerful option available, it does offer a competitive price point that could make it an attractive choice for those on a budget.

The MacBook Neo's processor has raised some eyebrows among tech enthusiasts, as it utilizes an A18 Pro chip originally designed for the 2024 iPhone 16 Pro.

This chip is a scaled-down version of its iPhone counterpart, with a five-core GPU instead of six, which may impact graphics performance. The laptop's larger display and potential for more demanding workloads might exacerbate this issue.

Despite these limitations, our testing revealed that the MacBook Neo handles everyday tasks with ease, running multiple web browsers, a TV show, photo editing in Pixelmator Pro, and even the game Oceanhorn 3 without significant trouble.

However, when it comes to advanced tasks like video editing, the laptop shows its weaknesses. With only 8GB of RAM, it struggles to process special visual effects, leading to slow performance.

The MacBook Neo's specs fall short compared to other high-end laptops on the market, particularly in terms of memory. The latest MacBook Air model boasts not just an M5 chip but also at least 16GB of RAM, making it a more suitable choice for those seeking a smooth experience.

The MacBook Neo's connectivity options are somewhat restrictive. It comes equipped with a 10Gbps USB 3 port, a 480Mbps USB 2 port and a standard 3.5mm headphone jack. The single USB 3 connection can support a 4K, 60Hz DisplayPort monitor, but users won't have the flexibility to daisy-chain multiple monitors or use Thunderbolt accessories.

In contrast, the MacBook Air offers improved connectivity with its 40Gbps USB 4 ports and dedicated MagSafe power connector. This upgrade provides more versatility for users who need to connect multiple devices at once.

Rumors suggest that a future refresh of the Neo is in the works. According to sources, Apple plans to upgrade the model to an A19 Pro chip, similar to those used in the iPhone 17 Pro, and increase the RAM to 12GB by 2027. This could help alleviate some performance issues that users may experience with the current model.

The need for a future-proof device is particularly pressing given the rapidly evolving landscape of software development. Apple's AI features in macOS 27 are already requiring more powerful hardware, including M3 chips and at least 12GB of RAM. The Neo's limited capabilities will only become more apparent as these requirements continue to grow.

While waiting for the next-generation Neo may seem like a viable option, it's essential to consider the limitations that come with upgrading from an older model. Since users can't upgrade the RAM on their current MacBook post-purchase, planning ahead is crucial to avoid performance bottlenecks in the future.

The second-generation Neo will likely still fall short of Apple's ambitious plans for AI features and other software advancements. However, opting for a more powerful device now, rather than waiting for the next refresh, may provide users with a slightly better foundation for handling demanding tasks like heavy AutoCAD use.

For those who require a Mac urgently, the first-generation MacBook Neo should suffice. This is because most apps are unlikely to lose support in the near future, considering the laptop's recent launch in March 2026.

A refurbished model might be a cost-effective option for users who don't need the latest and greatest technology immediately.

Engadget: https://www.engadget.com/2290733/macbook-neo-a18-pro-chip-performance/

One of the common concerns surrounding prolonged breaks in the postseason is the issue of "rust or lack of practice for teams that sit idle for multiple days. However, the Brewers' performance suggests they have managed to stay sharp despite their recent downtime. They had been off for seven full days before taking to the field again.

The Brewers' first-inning surge was a significant factor in their win. Jackson Chourio led off with a single, followed by Christian Yelich's triple that brought home the first run of the game. William Contreras then drove in another run on a single. This early momentum made it difficult for the Rays to recover.

Nick Martinez, the pitcher for the Rays, struggled in the second half of his outing but had shown promise earlier this season as an All-Star. He was coming off a strong performance against the Guardians in the ALCS, allowing just one run in over five innings. Despite this, the Brewers' early offense proved too much to overcome.

The Brewers' ability to bounce back from their prolonged break will be closely monitored throughout the series. Their success so far suggests that they have adapted well to the layoff and are ready to take on whatever challenges come their way.

The Brewers' catcher Willson Contreras showed no signs of rust in Game 1 of the World Series, throwing out two runners trying to steal and successfully challenging two ABS calls.

Contreras's performance was a testament to his skills as a catcher, particularly in judging balls and strikes. His ability to call the game effectively is a crucial aspect of his role behind the plate.

Brewers manager Pat Murphy praised Contreras's performance after the game, stating that he was unbelievable" in terms of his overall contribution to the team's success.

The Brewers' recent layoff has been relatively short compared to other teams with similar breaks. Despite not playing for 26 days, they have still managed to maintain a high level of performance, winning eight out of nine games.

The team's use of advanced technology during their break has likely played a significant role in their ability to stay sharp. The Trajekt machines, which utilize holograms of real pitchers and recreate their pitches with precision, have allowed players to quickly get back up to game speed without the need for minor-league rehab assignments.

The Brewers' preparation for the World Series has been centered around playing actual games, rather than relying on simulated practices.

In a statement before their team's workout on Thursday, Murphy emphasized the importance of real-game experience in maintaining the players' skills and physicality.

The approach is a deliberate attempt to counter common narratives surrounding teams that have long layoffs between regular-season play and the postseason. Critics often point to the perceived disadvantage faced by top-seeded teams, who are forced to sit idle while lower-seeded teams compete in meaningful games.

However, numbers from recent seasons suggest that this perceived disadvantage may be overstated. The 2022 and 2023 Braves, for instance, were frequently cited as an example of how the current playoff format can lead to rustiness among top seeds.

The Astros' dominance in 2022 is a notable exception to the argument that top seeds suffer from rustiness in the playoffs. After receiving a bye and sweeping their first two opponents, they enjoyed another extended break before facing the Phillies in the World Series. Their impressive performance, which included a six-game sweep of the Phillies, showcased their ability to remain sharp despite the layoff.

In recent playoff history, teams with at least five days' rest before Game 1 have experienced mixed results. While it's true that these teams have lost 10 times in Games 1, this record would translate to an impressive 162-game pace of 95 wins, and it's worth noting that these games are all against other playoff contenders.

The Brewers' own performance in the playoffs has been a testament to their ability to stay sharp despite extended breaks. After earning their bye with a league-leading 103 wins, they enjoyed extra time off before facing the Padres in the NLCS. A swift four-game sweep of the Dodgers followed, giving them more than a week's rest before the World Series.

The Brewers' defense has been a key factor in their success, with only one misplay recorded against them so far. In the fourth inning, a hard line drive was hit directly at center fielder Garrett Mitchell, but it was ultimately ruled a double rather than an error by the scorekeeper.

A notable aspect of the Brewers' performance is their ability to bounce back from adversity. Despite facing tough opponents throughout the playoffs, they have consistently shown resilience and determination.

Their impressive record and defensive play have earned them a reputation as one of the most formidable teams in the postseason. As they prepare for the World Series, it's clear that they are not suffering from rustiness, but rather, are peaking at just the right time.

Jacob Misiorowski's velocity has increased since his last outing on October 11, surpassing his season average. This uptick in speed comes after he had thrown more than 40 innings, a new career high for him.

The Brewers' bullpen is designed to shorten games, and they have the depth to do so effectively. However, their preference is to rely on their trio of three-inning specialists: Abner Uribe, Aaron Ashby, and Trevor Megill. These three pitchers are well-rested after a few days off, allowing them to be available for extended periods.

With all that rest, the trio has been able to make an impact in nearly every game they've appeared in. In Game 1, they combined for four innings of work to close out the contest. It's likely they'll follow a similar pattern in Game 2, with each pitcher contributing a few frames.

Manager Murphy has acknowledged that his team benefited from the break, citing its emotional toll after their series against LA. He noted that while they've had some lighter days and simulation sessions, nothing replicates the game itself like actual competition.

Murphy's comments suggest that the Brewers are using this time to recharge before facing the next challenge in the World Series. The team is peaking at just the right moment, ready to take on whatever comes their way.

The Brewers' recent success has allowed them to accumulate a substantial amount of rest, which is now paying dividends as they approach the World Series. Their impressive winning streak has earned them a well-deserved break from competition, and it's clear that this downtime has done nothing but boost their morale.

In order for the Rays to claim the championship, they'll need to overcome a Brewers team that has been virtually unbeatable since September 13th. The Brewers' remarkable record of 18-3 over the past month is a testament to their skill and resilience, and it's unlikely that they've forgotten how to win - let alone play baseball altogether.

CBS Sports: https://www.cbssports.com/mlb/news/2026-world-series-brewers-rested-rays/

The move comes as part of a lawsuit filed against Los Angeles County and the California Secretary of State's office, which seeks to block the counting of votes from over 20,000 people deemed "likely" noncitizens. The Justice Department has now requested that the 9th Circuit Court of Appeals make a ruling on the matter, effectively bypassing the original district judge assigned to the case.

At least 18 counties across California have received letters from the federal government requesting identifying information about ballots sent to individuals who are suspected to be noncitizens and illegally registered to vote. The counties have been given a tight deadline of 48 hours to provide this information.

The data provided by the counties will help the government and state quickly assess each individual suspected of voting in violation of election laws, according to the letter sent to San Bernardino County officials. However, California's secretary of state and Los Angeles County registrar have come out against the federal government's demands, arguing that it could delay the certification of votes and undermine the legitimacy of the November midterms, as stated in their legal filings.

California's voters are casting their ballots in the state's elections, with over 23 million registered voters receiving mail-in ballots earlier this month. This comes as federal authorities have been cracking down on alleged voter registration irregularities.

The Justice Department has filed 31 lawsuits to compel states to provide unredacted copies of their voter rolls, but so far, it has lost 26 of those cases without securing a single legal victory.

California Democratic Senator Alex Padilla condemned efforts by the Justice Department and supporters of former President Donald Trump to interfere in state elections. He stated that this is a serious matter, emphasizing that it's not a drill.

The Justice Department has been trying to obtain unredacted voter rolls from California counties, but their claims of widespread voter fraud have been met with skepticism. The data they've presented has been deemed inaccurate and unreliable by the DOJ itself, further eroding the credibility of their argument.

CBS News Politics: https://www.cbsnews.com/news/doj-california-counties-set-aside-verify-certain-ballots-noncitizens/

In a change of pace, Infinity Ward had the luxury of time to develop Modern Warfare 4, allowing them to iron out kinks in their game design. This extra development time has clearly paid off, as the new game shows significant improvement over its predecessors.

The single-player campaign is a key area where Modern Warfare 4 shines, offering a cinematic experience that draws players into the world of the game. The multiplayer mode also benefits from some much-needed tweaks, resulting in a more enjoyable experience for gamers.

One notable change is the replacement of Zombies with DMZ, an extraction shooter experience pitting players against AI and other human opponents. This new mode brings a fresh twist to the series, and its accessible design makes it appealing to a broader audience.

While not perfect, Modern Warfare 4 represents a step in the right direction for the Call of Duty franchise, which has struggled with inconsistent quality control in recent years. The game's mix of engaging gameplay and well-crafted levels is a welcome return to form.

Despite some missteps, including open-world campaign sections that feel like a throwback to past mistakes, Modern Warfare 4 remains one of the stronger entries in the modern Call of Duty series. Its successes make it a compelling addition to any gamer's collection, even if it doesn't entirely recapture the magic of its predecessors.

The campaign mode in Modern Warfare 4 offers a complex narrative that requires players to switch between two distinct perspectives: Captain John Price, a veteran protagonist, and Park Hyun-Jun, a new character fighting for his homeland in South Korea.

This narrative shift allows the game to tackle different storylines and themes, but it can be confusing at times. The plot revolves around a battle against a coalition of Russian and North Korean ultranationalists who are expanding their territory.

One notable aspect of Modern Warfare 4 is its representation of South Korea, which is refreshingly positive compared to previous games in the series. However, this portrayal comes with some caveats, as it perpetuates a simplistic narrative that paints Russia and North Korea as colonialist powers.

The game's storyline relies heavily on familiar tropes, including the idea of Western soldiers defending against imperialism. The conflict escalates into a Red Dawn-style scenario, where Americans lead the charge against an unambiguously evil enemy.

Price's character is given some moral complexity by working with a cartel to achieve his goals, but this nuance is ultimately resolved in a way that reinforces traditional Call of Duty heroism. His actions are framed as necessary to prevent global conflict.

Another aspect of Modern Warfare 4 that has become a series tradition is its inclusion of a graphic and disturbing mission. This time around, players take on the role of a North Korean soldier who must round up and execute villagers for hiding a defector.

The execution of this mission raises questions about the game's approach to depicting violence and its potential impact on players. The decision to include such content has been criticized in previous games, and it remains a topic of debate among gamers and critics alike.

The campaign's storyline is a major letdown, but the action sequences are where the game truly shines. One standout mission takes place in a New York nightclub, where Price must search for a Russian oligarch amidst the chaos of bright lights and pulsing music.

This mission showcases the game's ability to seamlessly blend intense action with immersive environments. The contrast between the club's vibrant atmosphere and the brutal fistfights and gunplay is particularly noteworthy. It's as if players are experiencing the climax of a high-octane film like John Wick.

The campaign's highlights continue throughout, with a series of thrilling set pieces that push the player to their limits. A fight in a train yard features dynamic cover mechanics, while a chase scene across Mumbai rooftops demands quick reflexes and strategic thinking. Even a high-stakes nighttime penthouse raid and a full-out assault on a dictator's compound are expertly executed.

However, not all missions are created equal. One particularly disappointing sequence finds the player's squad shot down over North Korean airspace, forced to survive behind enemy lines with scavenged gear. What could have been an interesting and challenging setup is instead squandered on a mind-numbingly easy open-world mission.

This type of mission has become a staple in modern Call of Duty games, but it fails to deliver on its promise. A checklist of over 50 optional collectibles adds little to the experience, making the player feel like they're simply going through the motions. The result is a frustrating and unengaging experience that undermines the rest of the campaign.

Despite these missteps, the game's action sequences remain a major draw. Players can explore a variety of cool locales, from bustling cities to high-stakes environments. Even the enemies are surprisingly difficult this time around, providing a welcome challenge for players who enjoy a good fight.

Ultimately, the campaign's narrative is where it falls short. While fans may still have fun exploring the game's many environments and taking down enemy forces, the loose narrative implications of the story leave a sour taste in the mouth.

The extraction shooter game mode DMZ has returned in Modern Warfare 4 with new content, after its "beta" ended in 2023. Despite initial disappointment among fans, it seems that Infinity Ward has been working on improving DMZ behind the scenes.

As a result, DMZ stands out as the most engaging game mode in Modern Warfare 4. Its simplicity is part of its charm, making it more accessible to players than other modes like ARC Raiders. Players drop into North Korea to scavenge for loot, fight each other, and take down key targets throughout the map.

The gameplay mechanics are streamlined, allowing players to focus on the action rather than strategizing about what to collect. Loot is plentiful, with various types of scrap, healing items, and a wide range of weapons available for grabs. This makes it easy to pick up and play without getting bogged down in details.

The enemy AI has been impressively upgraded, providing a thrilling experience as players face off against aggressive troops. Armored vehicles and helicopters add an extra layer of challenge, making battles feel intense and unpredictable. Infinity Ward's efforts have paid off in terms of creating a believable threat from the AI.

Another aspect that sets DMZ apart is its bounty system, which allows for player-versus-player gameplay without overwhelming pacifist players. When a player racks up a bounty, they become visible on the map, attracting other players who are hunting them down. This creates a sense of tension and encourages competition among players.

This approach provides a compromise between player-versus-environment and player-versus-player gameplay. Players can choose to focus on scavenging or take on the risk of being hunted by others. The bounty system adds an extra layer of strategy, making DMZ more engaging for a wider range of players.

The bounty system's impact on gameplay is significant, allowing players to adapt their strategies based on their preferences. It also creates opportunities for exciting encounters between players, adding a new level of excitement to the game.

Infinity Ward's decision to remove the omnimovement system from Call of Duty: Modern Warfare 4 has been met with relief by many players who felt that it unbalanced gameplay in previous titles.

The system, which allowed for rapid movement while looking in any direction, was seen as a key factor in the chaos and frenetic pace of multiplayer matches. However, this approach often led to players becoming overwhelmed and disoriented, making it difficult to focus on strategy and teamwork.

In contrast, Modern Warfare 4's revised gameplay mechanics have slowed down the pace of six-versus-six matches, allowing for more deliberate and tactical play. The larger modes also feel less chaotic, with a greater emphasis on boots-on-the-ground action.

One of the most notable changes is the introduction of a mantling mechanic, which allows players to climb up ledges and traverse the map more easily. While this adds some variety to gameplay, it's worth noting that movement speeds are still relatively high, making it easy for players to quickly reposition themselves on the battlefield.

The removal of omnimovement has also helped to address one of the key criticisms of previous Call of Duty titles: the dominance of aggressive playstyles over more strategic approaches. By reducing the emphasis on rapid movement and encouraging players to take a more measured approach, Infinity Ward is aiming to create a more balanced and engaging multiplayer experience.

However, it's worth noting that some aspects of the game remain unchanged, including the plethora of attachments available for many weapons. With over 70 options to choose from, players may feel overwhelmed by the sheer number of customization possibilities.

The upcoming addition of a 24/7 Shipment playlist will also likely appeal to nostalgia-driven players, but it remains to be seen whether this will add anything new or meaningful to the game's multiplayer experience.

The game's multiplayer experience has been revamped to include new playlists and modes, such as a 24/7 Shipment playlist that caters to fans of classic Call of Duty gameplay.

This move is likely to appeal to nostalgia-driven players who prefer the fast-paced action of older titles. However, it remains to be seen whether this addition will breathe fresh life into the game's multiplayer experience or simply recapture past glories without innovation. Overall, Modern Warfare 4 offers a solid, if not outstanding, Call of Duty experience.

CNET: https://www.cnet.com/tech/gaming/call-of-duty-modern-warfare-4-review/

The Justice Department claims that if votes are cast unintentionally for Daniel J. Sullivan instead of the senator due to ballot confusion, the election should not be deemed valid. The government alleges that Daniel J. Sullivan deliberately sought to cause voter confusion by sharing a similar name and party affiliation with Senator Sullivan.

The Justice Department has filed a court document arguing that allowing Daniel J. Sullivan to remain on the ballot in Alaska's Senate election could lead to voter confusion. This is because the two Sullivans share similar names and party affiliations, which may cause some voters to inadvertently cast their ballots for the wrong candidate.

A sample ballot included in the filing shows how the two Sullivans would be listed: Daniel J. Sullivan appears first, as "Sullivan, Daniel J." with a Democrat affiliation. This has raised concerns that supporters of Senator Sullivan, who is also a Democrat, may inadvertently vote for Daniel J. Sullivan instead.

The Department of Justice (DOJ) has filed a lawsuit seeking to block the certification of Senator Dan Sullivan's candidacy in Alaska if he loses his election. This move comes after a series of court rulings that have allowed Sullivan to remain on the ballot despite initial efforts to remove him.

The DOJ claims that Sullivan's continued presence on the ballot would be in violation of the National Voter Registration Act, which aims to make voter registration more accessible. The lawsuit argues that Sullivan's candidacy was improperly excluded from the ballot by the state Division of Elections, a decision later overturned by state courts.

CBS News Politics: https://www.cbsnews.com/news/trump-admin-sues-to-block-alaska-senate-certification-if-sen-dan-sullivan-loses/

Fielder's most notable projects include Nathan For You, a comedy series that aired on Comedy Central, and The Rehearsal, which premiered on HBO. On both shows, he used unorthodox methods to help people overcome personal challenges or improve their skills in unconventional ways. His goal is not just to entertain but also to observe human behavior in its most raw and honest form.

Fielder's approach often involves staging elaborate ruses that allow him and his audience to witness the uncanny behavior of regular people. By creating these intricate scenarios, he forces individuals to confront their own limitations and biases. While his methods may be unorthodox, they are always aimed at revealing new possibilities for human understanding.

The line between documentary and reality TV is intentionally blurred in Fielder's work, making it difficult to separate what we see from what we already know. His projects often raise more questions than answers, leaving viewers to ponder the nature of truth and observation.

The documentary series "You Can See Everything" delves into the life of Elizabeth Holmes, founder of Theranos, who was convicted of defrauding investors and the public about her revolutionary blood-testing device.

As part of this project, filmmaker Fielder has gained unprecedented access to Holmes' personal life, capturing intimate moments with her husband Billy Evans in their seaside rental home in Del Mar, California.

This is a stark contrast to earlier portrayals of Holmes, where she was often seen as the embodiment of Silicon Valley's glamour and innovation, with her signature sleek black turtleneck and crystal-blue eyes dominating magazine covers.

The couple has invited Fielder into their home 24/7, allowing him to observe Holmes in a more candid light, but his attempts at objective portrayal have led to a story full of complexities and contradictions.

The documentary's portrayal of Elizabeth Holmes is a masterclass in complexity, as Nathan Fielder's attempts at objective storytelling are constantly thwarted by the subject's own narrative.

Fielder's presence in Holmes' life feels like an unlikely convergence of events, given his background as a character and a person who studies her. This unusual dynamic creates a sense of tension between the two, with Fielder's trickster tactics serving as a counterpoint to Holmes' carefully constructed reality.

The documentary highlights the stark contrast between the public perception of Holmes and her private self. Despite being convicted on four counts of corporate fraud in January 2022, Holmes seems oblivious to the severity of her actions, instead choosing to downplay them with semantic games.

Holmes' assertion that she is incapable of lying raises more questions than answers, particularly when juxtaposed with Fielder's efforts to understand her motivations and actions. As he delves deeper into the couple's lives, it becomes clear that they inhabit a reality designed by themselves, one that is intentionally opaque and resistant to scrutiny.

As Billy's behavior becomes increasingly controlling, he starts to manipulate what is visible to us, deliberately concealing aspects of his relationship with Holmes.

His actions are a stark contrast to his initial stance on transparency, and it soon becomes clear that his motivations may not be entirely altruistic. A pattern emerges where he dominates interactions with Holmes, often interrupting or stopping them abruptly when he feels the conversation is becoming too probing or challenging.

The parallels between Billy's behavior and his claims of media manipulation regarding Holmes' sentencing are striking, raising questions about his role in shaping her narrative. This blurs the lines between what we can trust as fact and what may be a carefully constructed facade.

With Holmes' absence from the documentary, space opens up for introspection, allowing Fielder to explore different perspectives on her subject's personality. In reenactments reminiscent of those in The Dropout, Seyfried brings a nuanced approach, grappling with the complexity of Holmes' character and weighing empathy against wariness as she tries to understand her true nature.

The documentary raises questions about the nature of truth and perception, as it delves into the complexities of human behavior. In one particularly striking moment, Holmes challenges a colleague on their own potential biases, serving as a kind of barometer for the audience to gauge the reliability of the narrative.

As the story unfolds, the contradictions and flaws in those involved become increasingly apparent, highlighting the inherent subjectivity of human experience. The documentary suggests that we are all prisoners of our own egos, perceiving the world through the lens of our individual preferences and experiences. Ultimately, this raises doubts about whether it's possible for anyone to truly know another person, or even themselves.

Harper's Bazaar: https://www.harpersbazaar.com/culture/film-tv/a74205456/you-can-see-everything-elizabeth-holmes-nathan-fielder/

Local producer Pam Kasper, who has been working on a documentary about the two critics for the past two years with director Michael Bonfiglio, was instrumental in bringing this project to life. Her inspiration came from seeing a statue of Ebert outside the Virginia Theatre in Champaign, which sparked an idea to create a lasting tribute to these influential figures.

Kasper noted that while Chicago has numerous tributes to notable individuals, including athletes and politicians, there was a lack of recognition for Siskel and Ebert. Despite their national fame and 25-year presence on television, they remained closely tied to the city throughout their careers.

Both Siskel and Ebert had distinguished careers as film critics in Chicago, with Siskel serving as the primary critic for the Chicago Tribune for 30 years until his death in 1999, and Ebert working for the Chicago Sun-Times for an impressive 46 years until his passing in 2013.

A life-size sculpture of Siskel and Ebert is set to become a Chicago landmark, honoring the legacy of the iconic film critics who spent their careers in the city.

The project's designer, Kasper, aims to keep the duo grounded in their roots by having them remain connected to their newspaper jobs. This approach reflects the values that Kasper believes Siskel and Ebert embodied throughout their careers.

To raise funds for the sculpture, Kasper is partnering with Chicago Gateway Green to secure corporate sponsorships and public donations. The project's goal is to reach $230,000 by 2028, when the sculpture is expected to be completed.

A Hollywood memorabilia auction will also contribute to the fundraising efforts, featuring items donated by movie studios and celebrities. These include an apron signed by "The Bear cast and gifted by its creator, Christopher Storer, as well as a Toy Story Jessie doll signed by Evanston native John Cusack.

The Chicago community is coming together to build a life-size sculpture of iconic film critics Siskel and Ebert, who were beloved figures in the city.

Kasper, a key figure behind the project, emphasized the importance of public involvement in creating this tribute to the influential duo. The sculpture will stand at 6-foot-5 tall, making it an eye-catching addition to Prudential Plaza.

Located at 130 E. Randolph St., the plaza was chosen for its high visibility and proximity to where Siskel and Ebert once worked. Ownership of the plaza immediately welcomed the idea of hosting this public art piece, according to Kasper.

The talented artist behind the sculpture is Preston Jackson, a renowned Illinois sculptor, painter, and professor emeritus at the School of the Art Institute of Chicago. His selection was crucial in ensuring that the project would meet the community's expectations.

Jackson's work will bring Siskel and Ebert to life as they stand side by side, each holding up a thumbs-up gesture, a nod to their signature movie-rating system. This iconic pose is sure to evoke memories of the duo's spirited discussions about films.

The life-size sculpture honoring the late film critics Roger Ebert and Gene Siskel will feature a unique interactive element - two metal theater seats for visitors to sit in and pay tribute.

These seats will allow people to engage with the art piece on a more personal level, providing an opportunity for fans to emulate the iconic duo's signature Two Thumbs Up" rating system that they popularized.

The installation is designed to evoke memories of the spirited discussions Ebert and Siskel had about films, their debates being a hallmark of their long-running television program.

Kasper, the artist behind the project, aims to educate people about the significant influence these two critics had on film culture, including the development of online review platforms like Letterboxd and Rotten Tomatoes.

The sculpture's design has been met with enthusiasm from both the public and the Siskel and Ebert families, who have expressed gratitude for the tribute.

The sculpture's presence is expected to become a popular tourist attraction in the city, with Kasper envisioning it as a fun experience for visitors and locals alike. She envisions people taking photos with the artwork, which will be situated at Pru Plaza near Millennium Park.

The installation of the Siskel and Ebert sculpture marks another addition to Chicago's vibrant public art scene, complementing other notable landmarks in the area.

ABC News Entertainment: https://abcnews.com/Entertainment/wireStory/chicago-life-size-siskel-ebert-sculpture-giving-thumbs-137515893

Laika's latest stop-motion film is a love letter to all things Portland, Oregon, and it shows in every detail of its magical world. The film, based on Colin Meloy's novel, is set in the Impassable Wilderness, also known as Wildwood, where fantastical creatures roam free.

The story follows 13-year-old Prue, who navigates this mystical realm with a mix of wonder and skepticism. As she interacts with an owl having tea in a waistcoat, it becomes clear that even Prue herself is still adjusting to the absurdity of her surroundings. Her Portland upbringing has prepared her for some level of weirdness, but nothing could have fully readied her for this.

Laika's newest creation is a visual feast, with towering eagles and sprawling tree roots that seem to stretch across entire landscapes. The film's battle scenes are equally epic, reminiscent of the D-Day Landing in Saving Private Ryan. Yet despite these grand spectacles, Wildwood also takes time to appreciate the magic in even the smallest details, like a single blade of grass.

As the first Laika movie explicitly set in Portland, the studio looked for inspiration in their own backyard. The film's attention to detail is evident in its portrayal of local landmarks and cultural icons. From Voodoo Doughnuts to Decembrists posters, every element has been carefully considered to bring the city to life on screen.

For director Travis Knight, working on Wildwood was a unique experience that drew on his personal connection to Portland. "It was a joy, unlike anything I've ever experienced," he says of bringing the film to life. As someone who grew up in the city and has spent most of their life there, Knight felt a deep sense of familiarity with the place.

This sense of local knowledge allowed the team to infuse Wildwood with real specificity and personality. "We know that place better than anybody," Knight notes, and we could bring that world to life with real authenticity. The result is a film that feels both deeply personal and universally relatable.

Laika's decision to set Wildwood in Portland was not just a nod to their home city, it also marked a new direction for the studio. As a stop-motion specialist, Laika has always pushed the boundaries of what's possible on screen. With Wildwood, they've shown that even the most fantastical worlds can be grounded in real-world settings.

The influence of Portland is evident throughout the film, from its characters to its landscapes. Knight sees this as an opportunity for audiences to experience their city in a new and imaginative way. We're not just making a movie about Portland, we're bringing Portland to life, he says.

The filmmakers behind Wildwood have brought a unique approach to animation by infusing their fantasy world with real-life locations from Portland and Oregon. This blend of reality and fantasy creates a captivating narrative that showcases the beauty of the Pacific Northwest.

One of the key themes in Wildwood is the idea that magic exists in everyday life, often in unexpected places. This concept is mirrored in the film's portrayal of both the magical realm and the real world, where danger lurks alongside wonder.

The reverse is also true, the fantastical world of Wildwood contains subtle nods to Portland and the PNW. Fans of the region will delight in spotting familiar locations amidst the animated landscape.

While the film takes creative liberties with its setting, it's clear that the creators drew inspiration from real-life Oregon landmarks. Crater Lake and Haystack Rock are just two examples of the many iconic sites incorporated into Wildwood's fantasy world.

The filmmakers' decision to showcase Oregon as a fantasy realm was an exciting challenge for them. By infusing the film with local beauty, they aimed to create a visually stunning experience that would transport audiences to new worlds.

Wildwood's unique approach has garnered praise from critics and fans alike, particularly its entirely hand-crafted animation process. This labor-intensive method requires skill and dedication, but it also adds an extra layer of depth and emotion to the film.

One notable moment in the movie features Prue and Mac passing by a bustling art fair in St. Johns. This brief scene is more than just a visual gag, it's a nod to Portland's thriving craft and visual arts culture.

The filmmakers' emphasis on handcrafted goods and human creativity reflects their own values as members of the Portland maker community. In an increasingly automated world, Wildwood celebrates the beauty of human innovation and the importance of preserving traditional skills.

As the director of Wildwood, the new film set in Portland, Oregon, you must have had a deep connection to the city's unique character and charm to bring it to life on screen.

To infuse the film with authenticity, did you draw from your own experiences and observations of the city over time?

The human touch is indeed something special that deserves celebration and preservation in an increasingly automated world, where technology often takes center stage.

Stop motion animation, used in Wildwood, is a deliberate and painstaking process that requires great attention to detail, every wrinkle sculpted with precision.

When approaching a story, it's essential to listen to what the narrative wants to tell you, allowing its essence to guide your creative decisions.

The director's experiences growing up, such as visiting Japan for the first time at age eight, can have a profound impact on their work, shaping their perspectives and inspirations.

Those early encounters with foreign cultures and environments can leave lasting impressions, influencing the way they approach storytelling in future projects.

For Wildwood, the director drew heavily from their own experiences living in Portland, using personal connections to bring depth and authenticity to the film's settings.

Portland has undergone significant changes over the past 16 years, reflecting broader shifts in the world at large, presenting challenges for filmmakers aiming to capture its essence.

The city of Portland has undergone significant changes since Wildwood was first conceived seven years ago, when pre-production began in 2019. This period of transformation has been marked by both positive and tragic events that have altered the landscape.

As a result of these changes, filmmakers found themselves facing unique challenges in capturing the essence of Portland on screen. The city's evolution over the past decade has presented difficulties in preserving its distinct character for future generations.

The construction of sets and animation for Wildwood proved to be a daunting task due to the intricacies involved in stop-motion techniques. This process requires meticulous attention to detail, from designing and building individual components to manipulating them on camera.

One of the most challenging aspects of creating a stop-motion film like Wildwood is replicating nature's organic shapes. Forests, with their unique contours and textures, are particularly difficult to recreate using this method. The filmmakers decided to focus primarily on natural settings for the majority of the movie, which added an extra layer of complexity.

The team had to design and build entire environments from scratch, including a forest that serves as the primary backdrop for much of the story. This involved collaborating with set designers, dressers, painters, and artists to create spaces that not only looked realistic but also held artistic merit.

The initial entrance into Wildwood, a pivotal moment in the film, was particularly time-consuming to design. The resulting scene is breathtakingly beautiful, showcasing the team's attention to detail and dedication to crafting immersive environments.

The set designers' goal was to create a work of art that could stand on its own, even outside the context of the movie. For many scenes, this level of craftsmanship will be fleeting, lasting mere seconds on screen.

The attention to detail in "Wildwood" is breathtaking, showcasing extraordinary human craftsmanship and artistry on a grand scale.

Incorporating the wildlife and ecosystems of the Pacific Northwest into this film was a deliberate choice, reflecting the region's unique character.

As someone familiar with the area, it's clear that the filmmakers drew from their own knowledge of coyotes, using it to inform the story.

Crows also play a significant role in the film, another nod to the rich biodiversity of the Pacific Northwest.

Growing up in Portland and its surroundings instilled a deep appreciation for nature in the filmmakers, who often found themselves next to the natural world.

Childhood experiences spent exploring forests and climbing trees had a profound impact on their worldview, shaping their perspective on the world.

The film's eco-fable narrative is multifaceted, with layers that explore themes of environmentalism in an organic way, rather than hitting viewers over the head with a message.

This approach allows the story to breathe, inviting viewers to connect with it on a deeper level and honor the natural world in an authentic manner.

Living in Portland, Oregon, is an experience like no other, shaped by the city's unique blend of quirky charm and natural beauty.

The city's distinct personality is a result of its eclectic mix of cultures, neighborhoods, and landscapes, making each experience truly one-of-a-kind.

As artists, we recognize that our individual perspectives are what set us apart from others, allowing us to offer a fresh and authentic voice in storytelling.

This approach is essential when capturing the essence of a place like Portland, where every aspect, from its food trucks to its parks, contributes to its distinctive character.

Conde Nast Traveler: https://www.cntraveler.com/story/wildwood-is-a-love-letter-to-all-things-portland-oregon

The film, directed by Sofia Coppola and shot over 57 days, boasted an impressive budget of $40 million and unprecedented access to the opulent Versailles setting. As a testament to its ambitious scope, the movie required 80 hours of footage to bring it to life. Eleanor's documentation would later prove to be a treasure trove of unseen moments.

Initially intended for marketing purposes, Eleanor's footage was not meant to become a standalone project. However, her passion and dedication to capturing the intricacies of filmmaking led her down an unexpected path.

Sofia Coppola has revealed that her mother, Eleanor, was driven by a desire to showcase the behind-the-scenes process of film production. Sofia explained in a recent interview that Eleanor's fascination lay in revealing the truth of what's really going on behind the scenes, often overlooked by audiences.

As life moved forward, Eleanor's unedited footage gathered dust, but she continued to dream of bringing it to fruition. It wasn't until the COVID-19 pandemic, when Eleanor had more time to revisit her work, that she began to envision a new project taking shape from the vast amount of unused footage at her disposal.

The project that Eleanor Coppola had envisioned, Making Marie Antoinette, is now nearing completion. This intimate documentary offers a behind-the-scenes look at the making of Sofia's film about the life of Queen Marie Antoinette. Shot over several years, it captures the creative process in a unique and unvarnished way.

According to Sofia Coppola, her mother had been inspired by the work of Frederick Wiseman, who is known for his non-narrative documentaries that simply observe everyday scenes. This approach influenced Sofia's decision to focus on capturing the atmosphere and emotions of the film set, rather than creating a traditional narrative.

One of the challenges that Eleanor and Sofia faced early on was finding drama in the footage they had collected. Unlike some other films about filmmaking, such as Hearts of Darkness, there were no major crises or conflicts to draw upon. In fact, Sofia finished filming Marie Antoinette on schedule and within budget.

The documentary is notable not only for its unique approach but also for its portrayal of the female experience in the film industry. Sofia has described it as a counterpoint to films like Hearts of Darkness, which are often associated with a more masculine, macho aesthetic. In contrast, Making Marie Antoinette offers a more intimate and feminine perspective on the creative process.

As Eleanor worked on her own book, Two of Me: Notes on Living and Leaving, she made it clear to Sofia that she wanted both projects completed before she passed away. With her mother's passing in April 2024, Sofia was left with the task of bringing Eleanor's vision for Making Marie Antoinette to fruition, along with a team of family friends and collaborators who shared her commitment to realizing the film.

As Sofia Coppola worked on Making Marie Antoinette, she was aware of her mother's vision for the documentary and felt a deep sense of responsibility to bring it to life.

The process of creating the film was not without its challenges, particularly when it came to including personal moments that might be perceived as vulnerable or embarrassing. Sofia has said that one such moment shows her sitting in a trailer with her mother, visibly annoyed at being filmed.

In this candid exchange, Sofia's frustration is palpable, but she acknowledges that including these real moments was crucial to capturing the essence of their experience working on the film. It is real," she notes, and my mom would love it.

Sofia has also spoken about the value of showing her own growth and development as a person during this time, particularly in terms of asserting herself on a massive production like "Marie Antoinette. She hopes that viewers will find her journey helpful and relatable.

By sharing these intimate moments, Sofia aims to create a documentary that is more nuanced and honest than a traditional behind-the-scenes look.

The documentary Making Marie Antoinette is utilizing Eleanor Coppola's words to add depth to the film. These words come from a time when she was working on the project and are being overlaid with footage of the film's production.

Eleanor Lane has been brought in to read these words, bringing her own personal connection to the Coppolas as an actor who has worked with Francis for many years. Her association with the family goes back to her early days, having appeared in several of Francis' films including The Outsiders" and "Rumble Fish.

Eleanor's reading is seen as a fitting tribute to Sofia's mother, given Eleanor Lane's close relationship with her. This adds an extra layer of authenticity to the documentary.

The reception of Marie Antoinette was initially mixed when it first came out. It was booed at the Cannes Film Festival and received polarized reviews from critics. However, one notable exception was Roger Ebert, who gave the film four stars in his review.

Despite its initial lukewarm response, Marie Antoinette has undergone a significant cultural reevaluation over the past two decades. This has led to it being celebrated on its 20th anniversary with various tributes including a 4K theatrical re-release of the film itself and an exhibition at Petit Trianon in the Palace of Versailles.

The 20th anniversary celebration of Sofia Coppola's film Marie Antoinette serves as an opportunity to highlight her mother Eleanor's artistic vision and documentary style.

It's such a gift that she gave us this footage," Sofia reflected, and I got to spend the year after her passing working on it in this way. The tribute also underscores Eleanor's unique approach to storytelling.

ABC News Entertainment: https://abcnews.com/Entertainment/wireStory/eleanor-coppola-died-finish-making-marie-antoinette-sofia-137511255

As an outsider to the world of Elizabeth Holmes, I found myself drawn into the documentary's complex web of intrigue and deception. Without being overly familiar with the details of the Theranos scandal, I was able to approach the film without preconceptions. This allowed me to appreciate Fielder's unique perspective on the subject matter.

The film's format is reminiscent of Fielder's previous projects, such as The Rehearsal, where he pushes boundaries and defies expectations. In You Can See Everything, he enlists the help of Amanda Seyfried, who played Holmes in a Hulu miniseries, to aid in his investigation into her life.

Fielder's involvement with the project has sparked curiosity among viewers, who are eager to see what new twist or angle he will bring to the story. With Fielder at the helm, it is clear that You Can See Everything will not be a traditional documentary but rather an immersive and thought-provoking exploration of Holmes' life and motivations.

The documentary's portrayal of Holmes thus far has been a complex and intriguing one, showcasing her as both tragic and deceitful, yet simultaneously earnest in her endeavors.

However, despite its compelling nature, the film remains firmly rooted within the conventions of a traditional documentary at this stage.

That is, until Kristen Seyfried enters the narrative, bringing with her an added layer of complexity and depth that elevates the project beyond mere documentation.

The knowledge of her involvement beforehand did little to prepare me for the true impact of her participation in the film.

As Nathan Fielder continues to push boundaries, his latest collaboration has found him a willing partner in Emma Stone, who is not afraid to call out his narrative contrivances.

The project has become a meta-agenda of one-upmanship, with critics and audiences alike drawn into the complex web of ideas. For the first time, even commercial returns are acknowledging Fielder's innovative approach.

Fielder's latest venture, You Can See Everything, has brought about a shift in perspective, as his previous show, The Rehearsal, was initially overlooked by award committees, including the Emmys. However, with YCSE now in contention for Oscars consideration, pundits are debating its potential impact on the industry.

Fielder's recent comments at an after-party hinted that he may be taking a break from The Rehearsal, but his latest film suggests otherwise. You Can See Everything is essentially a large-scale expansion of what could have been a third season of The Rehearsal, opening up new avenues for exploration and potentially setting the stage for even more daring projects in the future.

The documentary "You Can See Everything has left many pondering its place in the canon of unconventional documentaries. Upon reflection, it is not hard to see why some might draw comparisons between Fielder's latest work and classic narrative films.

The way Fielder dresses Seyfried in the third act bears a striking resemblance to Jimmy Stewart's unsettling GRWM sequence with Kim Novak in Vertigo. This connection is reinforced by composer Ari Balouzian's score, which incorporates nods to Bernard Hermann's iconic style.

Fielder's affinity for revisiting and reinterpreting imagery is also reminiscent of Christopher Nolan's technique. Just as Nolan often returns to a single image throughout his films, each time imbuing it with new meaning and context, Fielder similarly employs this strategy in You Can See Everything".

The idea of a collaboration between Fielder and Nolan may seem like a far-fetched notion, but given their shared affinity for pushing boundaries and experimenting with form, the prospect is tantalizing.

GQ: https://www.gq.com/story/what-will-nathan-fielder-do-next

Oppenheim was in a unique position when we spoke to him earlier this month - flanked by a large poster of Robert Pattinson, who starred in and produced his recent feature film, Primetime. The 30-year-old director's life has been marked by collaborations with high-profile figures in Hollywood.

Just three weeks after the release of Primetime, Oppenheim's documentary You Can See Everything hit screens. This ambitious project saw him team up with Fielder to embed themselves in Elizabeth Holmes' California home in the days leading up to her 11-year prison sentence.

The experience was a far cry from his previous work on documentaries like Some Kind of Heaven and Ren Faire, which were more low-key productions with crews of around eight people. You Can See Everything, however, had a much larger crew and was Oppenheim's first scripted feature film.

Despite the differences in scale and scope, Oppenheim's movies are known for their intimate approach to storytelling. In some cases, this has led to subjects opening up to him in unexpected ways, even when they might not have wanted to.

The documentary You Can See Everything is a testament to Oppenheim's ability to connect with people from all walks of life. His previous films have shown that he can get those around him to share their stories and struggles, often with surprising results.

As a result of his work on these documentaries, Oppenheim has developed a reputation for getting close to his subjects, even if it means pushing boundaries and invading personal space.

Lance Oppenheim's life has been a whirlwind of personal and professional milestones in recent times. The filmmaker has been making waves with his debut feature, Primetime, as well as his documentary You Can See Everything.

The release of both films just days apart was not something he had anticipated or planned for. In fact, it has left him feeling a bit disoriented and unsure about how to process the reaction from audiences.

To gain insight into how people are responding to Primetime, Oppenheim took an unconventional approach - sneaking into movie theaters to watch his film on the big screen. This was a departure from his usual documentary-making routine, where he would typically test the film with friends and acquaintances before sharing it with a wider audience.

The experience of watching Primtime in theaters has been both fascinating and unsettling for Oppenheim. He has found himself drawn into the reactions of viewers, who are often polarized in their opinions about the film's portrayal of its subject matter.

One notable reaction came from Chris Hansen, a former TV host known for his work on investigative documentaries. Hansen was interviewed in You Can See Everything, but his response to Primetime has taken on a life of its own, with some viewers interpreting it as a commentary on good and evil.

Oppenheim maintains that this was not his intention, and he values the contributions that Hansen made to both films. The filmmaker's goal is to create documentaries that are thought-provoking and nuanced, rather than simplistic or sensationalized portrayals of complex issues.

As Oppenheim continues to navigate the aftermath of these film releases, it's clear that he is grappling with the blurred lines between his personal life and professional output.

As Oppenheim navigates the complexities of his personal life, he finds himself pondering the notion that reality is blurring into fiction. This sentiment is echoed in his own filmmaking endeavors, where he strives to create a sense of authenticity and truth.

Oppenheim's experience with the film Primetime has been marked by an unusual series of events. The production was put on hold due to various factors, but it eventually resumed as a documentary. This shift in direction was influenced by the connections he made during this time, including befriending filmmaker Romain Gavras and meeting Rob.

The making of Primetime has also been intertwined with Oppenheim's personal life in unexpected ways. Just four days before his initial conversation with Rob, his film Spermworld had its premiere, and he received a Cameo from Chris Hansen as a gift from his wife. This unusual encounter sparked an interest in exploring the intersection of reality and fiction.

The script for Primetime arrived just after Oppenheim's accidental pregnancy while on location in Joshua Tree. This pivotal moment coincided with a period of intense personal loss, including the passing of close friend Jeff Baena, to whom the film is dedicated. Amidst the darkness surrounding him, Oppenheim found solace in his family and creative pursuits.

The narrative threads of Primetime are deeply intertwined with Oppenheim's own experiences and emotions. As he grapples with the complexities of life, he is also navigating the challenges of filmmaking. The boundaries between reality and fiction continue to blur, raising questions about the nature of truth and authenticity in art.

Oppenheim's personal journey has been marked by both joy and hardship, but it is his capacity for resilience that shines through in his work. His commitment to capturing the essence of human experience is evident in Primetime, a film that embodies the complexities and contradictions of life.

The making of Primtime has been a deeply personal odyssey for Oppenheim, one that has pushed him to confront the darker aspects of reality while celebrating the beauty and wonder that surrounds us all. As he continues to navigate this complex web of emotions and experiences, it is clear that his art will remain an honest reflection of the world around him.

Oppenheim's journey with Primetime serves as a testament to the transformative power of art and its ability to capture the essence of human experience. Through his work, he invites us to reflect on our own lives and the complexities that we all face.

As a filmmaker, Lance Oppenheim has developed a unique approach to processing his emotions and creating meaningful work.

He admits to being an emotional person, but instead of dwelling on his feelings, he channels them into his films.

Making movies is not just a profession for Oppenheim, it's a way of life that allows him to connect with others and explore complex themes.

His personal relationships have also influenced his filmmaking style, as evident in the close bonds he shares with his collaborators, including his cinematographer and producer.

Oppenheim has been fortunate to work with talented individuals who share his passion for storytelling, and these collaborations have led to some of his most notable works.

The process of making a film can be therapeutic for Oppenheim, allowing him to externalize his emotions in a way that writing or traditional therapy cannot.

As he navigates the complexities of masculinity through his characters, Oppenheim draws from personal experiences, including those related to fatherhood and identity.

Navigating unconventional forms of masculinity is a theme that Oppenheim explores through his collaborations with Nathan Fielder. This exploration is particularly evident in their joint project, You Can See Everything, which blends traditional documentary filmmaking with more experimental techniques.

One aspect of Fielder's persona that Oppenheim finds intriguing is his display of hyper-masculinity. However, this trait is not necessarily something that Oppenheim aspires to emulate himself. In fact, he views it as a unique and interesting characteristic that sets Fielder apart from others.

Fielder's unconventional approach to masculinity has been a subject of interest for Oppenheim in the past. He notes that Fielder's portrayal of masculinity is most pronounced in You Can See Everything. This observation highlights the ways in which Oppenheim seeks to understand and capture different forms of masculinity through his work.

In You Can See Everything, Oppenheim had the opportunity to collaborate with Nathan Fielder as both a co-director and on-screen presence. Initially, the plan was not for Fielder to appear on camera, but he eventually became an integral part of the project. This shift in approach allowed Oppenheim to experiment with new styles of filmmaking.

The film's use of observational vérité techniques is reminiscent of classic documentary films from the past. By embracing this style, Oppenheim aimed to capture moments and events as they unfolded without imposing a predetermined narrative or aesthetic. The result was a unique blend of traditional documentary filmmaking and more experimental approaches.

Oppenheim has also drawn inspiration from other filmmakers who have pushed the boundaries of documentary storytelling. He cites Errol Morris's use of reenactments in The Thin Blue Line as an example of innovative filmmaking techniques that he sought to incorporate into his own work.

The film's style was intentionally minimalist, avoiding embellishments or artistic commentary in favor of a more straightforward, observational approach. This decision allowed Oppenheim to focus on the subject matter rather than imposing his own creative vision on the project.

The unique challenge of capturing the intense dynamics between Elizabeth Holmes and her family members led to some unorthodox filming techniques. To transport the audience into the room and convey the "intense cognitive dissonance" experienced by the filmmakers, a different approach was needed.

Nathan Chytle, Elizabeth's brother, was not initially on camera, but his interactions with Holmes and Billy Evans were still captured through a series of questions that seemed to draw him out from behind the scenes. This unusual dynamic added an extra layer of tension to the already charged atmosphere.

After the first day of filming, Lance Oppenheim felt defeated, acknowledging that he had failed in capturing the essence of the situation. He apologized to Nathan and conceded that his approach wasn't working, paving the way for new strategies to be implemented.

To rectify this issue, Oppenheim brought in additional cameras with high-quality lenses, allowing his team to capture a wider range of possibilities within the confined space. This included shooting for extended periods of 16 hours a day, which proved instrumental in capturing the complexities of the family's interactions.

As filming progressed, Oppenheim continued to adapt and innovate, introducing a new wide-angle camera with a 12-millimeter lens that he operated personally. This decision allowed him to experiment with fresh perspectives and capture the unique nuances of the situation.

The end result was a groundbreaking documentary that blended the distinct styles and sensibilities of both Oppenheim and Chytle. The film's innovative approach and immersive experience have set it apart from traditional documentaries, making it an unforgettable viewing experience.

GQ: https://www.gq.com/story/lance-oppenheim-interview

The Victoria and Albert Museum in London kicked off the celebrations last fall with its "Marie Antoinette Style" exhibition, which ran through spring of this year. This comprehensive showcase provided an in-depth look at the opulent world of Marie Antoinette's fashion era.

To commemorate the 20th anniversary of her film, Sofia Coppola has been working on a documentary project that delves into the making of Marie Antoinette. The film is a behind-the-scenes exploration of the movie's creation.

Sofia Coppola's mother, acclaimed documentarian Eleanor Coppola, was present on set and captured over 80 hours of footage during filming. This extensive material has been distilled down to reveal the intricacies of the visual journey and the creative process behind the film.

The film's enduring influence can be seen in the way designers continue to draw inspiration from its opulent costumes. Sandy Liang is one such designer who cites Marie Antoinette as an ongoing source of creative guidance. The film's intricate details and lavish fabrics have left a lasting impact on the fashion world.

Fashion fans still reference the iconic costumes in their everyday outfits, often incorporating similar elements into their own wardrobes. Gisela Castillo, a self-proclaimed fashion collector, is one such fan who frequently wears tiered pink tulle and ruffled tutus, even for mundane tasks like running errands. Her affinity for these styles was cemented when she learned about the Ladurée macaroons that inspired Sofia Coppola's costume designs.

The film's influence extends beyond the fashion world, with its themes of excess and opulence continuing to resonate with audiences. As a result, Marie Antoinette remains a timeless classic, with its visual journey and creative process continuing to captivate viewers two decades after its release.

The film's influence can still be seen in modern fashion trends, with designers incorporating elements of the rococo aesthetic into their collections. The use of pastel colors and delicate fabrics such as tulle has become a staple in many high-end fashion lines.

As a result, the film's impact on fashion continues to be felt two decades after its release, cementing Marie Antoinette's status as a timeless classic that remains relevant in today's fashion landscape.

Elle: https://www.elle.com/fashion/trend-reports/a74191401/marie-antoinette-20th-anniversary-fashion/

Skerritt was a well-known figure in Hollywood, having played iconic roles such as the doomed captain in the 1979 sci-fi horror film "Alien and a tough flight instructor in the 1986 blockbuster Top Gun. His versatility on screen earned him widespread recognition and admiration from audiences worldwide.

In addition to his work in film, Skerritt also made a lasting impression on television with his portrayal of a tough-but-fair sheriff in the popular series Picket Fences, for which he won an Emmy award.

Skerritt's family released a statement paying tribute to their loved one, highlighting his qualities as a person beyond his professional achievements. They remembered him as someone who cared deeply about imagination, creativity, storytelling, and service to others.

The late actor's career spanned multiple decades, with notable roles in films such as Turning Point" and "Steel Magnolias, where he played the patient husband of Shirley MacLaine and Sally Field respectively. He also appeared in the 1997 film Contact, playing a scheming opportunist who hindered Jodie Foster's attempts to communicate with extraterrestrial life.

Tom Skerritt's versatility as an actor has been widely praised throughout his career. He once described himself as a character actor locked in a leading man's body, a distinction that he seemed to appreciate.

In addition to his film work, Skerritt also had a strong presence on stage. In 2004, he narrated the classic play Our Town at Seattle's Intiman Theatre, showcasing his ability to bring depth and nuance to his performances. He made his Broadway debut in 2013, starring in an adaptation of John Grisham's novel A Time to Kill.

The Associated Press noted that Skerritt brought a charming but troubled quality to the role of a disgraced and drunken lawyer. This performance was just one example of how he could effortlessly transition between different types of roles.

Skerritt's early life laid the groundwork for his future success. He grew up in a middle-class family in Detroit, where his father ran a small business and his mother stayed at home to raise their children. Tragically, one of Skerritt's siblings died as a child.

His time in the Air Force was followed by higher education, with Skerritt attending Wayne State University before transferring to the University of California, Los Angeles, to study filmmaking. His interest in film was sparked by a screening of Citizen Kane, which left a lasting impression on him.

Skerritt's entry into the film industry was marked by his role as a sergeant in the 1962 independent war film War Hunt. This production also featured Robert Redford, Sydney Pollack, and Francis Ford Coppola in their early careers.

Tom Skerritt's early career was marked by struggles to secure significant screen time, despite his talent and dedication.

After his breakout role in War Hunt, he found himself relegated to small parts in films like M.A.S.H." and "Thieves Like Us for director Robert Altman. He also appeared in a minor role as a motorcycle cop in Hal Ashby's Harold and Maude.

However, Skerritt's fortunes began to change with the release of The Turning Point, which earned him a prestigious National Board of Review award.

In this film, Skerritt played a pivotal role that showcased his acting range and depth. He was drawn to the script because it flipped traditional gender roles on their head, with the female lead becoming the hero.

Skerritt's performance in Alien cemented his status as a leading man, particularly in his iconic portrayal of the beleaguered captain of the Nostromo ship, who fought for survival against the deadly alien threat.

Skerritt's portrayal of a small-town sheriff in Picket Fences earned him widespread acclaim.

The comedy series, created by David E. Kelley, was a critical and commercial success during its four-year run from 1992 to 1996, winning 14 Emmy Awards and one Golden Globe award.

In the show, Skerritt's character was part of a quirky community in Rome, Wisconsin, where bizarre events occurred frequently, such as a robbery that left behind a trail of frogs or the pope unexpectedly becoming the key witness to a murder.

Skerritt himself attributed the success of Picket Fences to its talented writer and credited Kelley with creating a magic and brilliance that made the show stand out.

In addition to his work on Picket Fences, Skerritt had a prolific career in television, appearing in other notable series such as Brothers and Sisters", "Leverage, and making recurring appearances on Cheers".

In a career spanning over six decades, Tom Skerritt's versatility as an actor was undeniable. He had been hired for various film roles, which led him to believe that acting would provide valuable experience in directing, but life took a different turn when he started his family and needed to support them.

The years passed quickly, and Skerritt had considered giving up acting to pursue directing, but ultimately decided not to regret the choice. He has been left behind by his loved ones, including his third wife, Julie Tokashiki, and their five children together.

France 24 English: https://www.france24.com/en/culture/20261022-emmy-winning-us-actor-tom-skerritt-top-gun-and-picket-fences-dies-93

The Japanese watchmaker's GMC-2500 model is part of the 2500 Series, which reimagines the design DNA of the original G-Shock. According to Casio, this new collection nods towards the 1983 DW-5000C, a watch designed to withstand rough conditions and continue ticking even after being dropped.

The team at Casio famously tested early prototypes by hurling them from the third-floor men's bathroom in their offices. The new 2500 series draws inspiration from the original G-Shock's design, with its octagonal digital display and integrated rubber strap.

However, there is a key difference between the old and new designs - the GMC-2500 features an analog rather than digital display, and sports distinctive case "ears that evoke the porthole-inspired Nautilus watch.

The wait for the new 2500 series has been a long one, with collectors eagerly anticipating its release since Casio's website accidentally listed these pieces in September.

In the months that have followed, enthusiasts have taken to calling the watch the CasioNaut", a nod to its striking resemblance to the iconic Nautilus design.

The Multi-Mission Date function is at the heart of the 2500 Series' design, using a three-cell display at 3 o'clock to show not just the date but also the current mode, elapsed stopwatch minutes, and setting information.

A small-seconds display at 9 o'clock allows for passing seconds to be monitored, with the added feature of being able to pause and restart as necessary.

The Casio G-Shock 2500 Series boasts impressive time-keeping capabilities, allowing users to input the year, month, and date to ensure accurate timekeeping until 2099.

In addition to its robust time-keeping features, the watch is equipped with LED illumination for enhanced legibility in low-light conditions. Furthermore, a magnetic system helps stabilize the watch's hands even if it experiences rough handling or drops.

The G-Shock 2500 Series also meets stringent durability standards, with water resistance up to 200 meters and a range of case materials and strap options available, including resin, metal, and rubber combinations, priced between $145 and $350.

GQ: https://www.gq.com/story/casio-new-2500-series-casionaut-10-22-26

The story revolves around Klara, an artificial friend with solar powers, and her relationship with Josie, a young girl who suffers from illness and lives in an alternative universe with her family. As the narrative unfolds, dark truths about Josie's condition, the world she inhabits, and her mother's intentions begin to surface.

Re-reading Klara and the Sun has become a regular experience for many readers, who have found themselves emotionally invested in the characters' stories. The novel's exploration of complex themes and moral dilemmas continues to captivate audiences long after finishing the book.

For fans of Ishiguro's work, another highly recommended read is Never Let Me Go, published in 2005. This novel follows a group of boarding-school students as they navigate friendships, bullies, and romantic relationships. At first glance, the story appears to be set in a familiar world, but it gradually reveals a more sinister reality.

Ishiguro's exploration of complex themes and moral dilemmas has become a hallmark of his writing style, leaving readers with lasting impressions and thoughts long after finishing the book. Never Let Me Go is just one example of this, and its impact on readers can be attributed to its thought-provoking narrative and well-developed characters.

In the realm of dystopian fiction, robots and artificial intelligence often serve as cautionary tales about humanity's relationship with technology. The Echo Wife by Sarah Gailey explores this theme through an award-winning scientist who discovers that her husband stole her research on human cloning.

The twist is that he used it to create a genetically-engineered clone of her, designed to be more obedient and subservient than the original. This plot development raises questions about the ethics of creating beings for the sole purpose of serving humanity's desires.

A similar theme of exploitation is present in Fallow by Sarah Anderson, which delves into the darker side of technological advancements. The story follows Natalie, a young woman who takes on a job as an in-house surrogate for a company, delivering seven babies over ten years to its executives.

This setup allows them to experience motherhood without the burden of maternity leave or the responsibilities that come with it. However, Natalie soon finds herself caught up in a different kind of social experiment as her contract comes to an end.

As she navigates this complex web of relationships and power dynamics, readers are forced to confront the implications of technological advancements on human society and the ethics of creating beings for our convenience.

In speculative fiction, robot relationships are a common theme, but one sub-genre that is less explored is robot siblings.

A recent book that delves into this area is Silvia Park's Luminous, set in a near-future reunified Korea where three estranged siblings, two human and one robot, reconnect.

The story raises questions about what it means to be human, making it a thought-provoking read for fans of novels like Klara and the Sun.

Another satirical sci-fi novel that explores the relationship between humans and robots is Adrian Tchaikovsky's Service Model, which follows a high-end robot valet who inadvertently kills his human master.

This sets off a chain of events as the robot embarks on a journey to explore the post-apocalyptic world he has been programmed to serve.

The robot's journey takes an unexpected turn as it begins to observe the human survivors in a post-apocalyptic world. It becomes fascinated by their attachment to objects they've collected from abandoned buildings and streets. This peculiar behavior is reminiscent of the crew on the Six-Thousand Ship, who have developed strong bonds with objects they picked up during a recent visit to New Dimensions.

The similarities between the two scenarios are striking, and the robot starts to question its own purpose in this new world. It wonders if it too will develop an attachment to something, or someone, as it continues on its journey. The ambiguity of who wrote each statement in The Employees is mirrored by the robot's own uncertainty about its existence.

As the robot navigates this strange and unfamiliar landscape, it begins to understand that even in a world devoid of life, human connection can still thrive. This realization brings a sense of hope to the desolate scene, and the robot's journey comes full circle as it finds meaning in the attachments it has formed.

Harper's Bazaar: https://www.harpersbazaar.com/culture/art-books-music/a74195217/best-robot-books-after-klara-and-the-sun/

The decision to shut down BioWare is part of a larger trend of record layoffs across the gaming sector, which have been occurring since the COVID-19 pandemic disrupted business operations. This has led to tens of thousands of job losses and studio closures throughout the industry. The impact of this trend is evident in the closure of multiple studios.

The reported 400 layoffs, with approximately 50 at BioWare itself, signify a substantial blow to both the studio's employees and fans worldwide. The abrupt end of BioWare's operations has sparked widespread concern among gamers, particularly given its long history spanning over three decades.

As fans eagerly anticipated N7 Day on November 7, EA confirmed that it will no longer be developing the next game in the Mass Effect series. This decision has left many fans mourning not only the potential loss of a beloved franchise but also the closure of BioWare itself just weeks before this annual celebration.

The studio's early success was marked by the release of Baldur's Gate in 1998, a game that set the stage for its critically acclaimed sequels and other notable titles such as Star Wars: Knights of the Old Republic.

BioWare's reputation for crafting engaging narratives and complex characters has been a hallmark of its role-playing games. The studio's attention to detail when developing companion characters was particularly noteworthy, allowing players to form meaningful relationships with them, including romantic connections. These nuanced character arcs were often praised by critics and fans alike.

The studio's commitment to representation was another key factor in its success. BioWare's willingness to explore complex themes and include diverse characters, such as those of varied sexualities, helped to build a loyal fan base. This dedication to authenticity resonated with players seeking more realistic and immersive gaming experiences.

Following EA's acquisition by a business consortium that includes Saudi Arabia's Public Investment Fund in August, the company has moved to close several studios, including BioWare. The decision has been met with concern given Saudi Arabia's track record on LGBTQ+ rights.

The acquisition of Electronic Arts (EA) by a business consortium for $55 billion has significant implications for the video game industry. The consortium includes investment firm Affinity Partners, led by Jared Kushner, son-in-law of President Donald Trump.

In response to questions about the closure of BioWare, EA directed attention to its public blog post announcing the studio's closure. This move has sparked a wave of nostalgia among fans who have been reminiscing about BioWare's early games on social media.

The studio's recent output has been met with mixed reactions from fans and critics alike. The 2017 release of Mass Effect: Andromeda, for example, received a lukewarm response after the controversy surrounding the conclusion of Mass Effect 3 in 2012 led to a new direction for the series.

The gaming industry has undergone significant changes in recent years, with development time for games increasing to five or even longer periods, resulting in higher production costs. This shift has put immense pressure on game developers to create massive hits that sell millions of copies to sustain the prolonged development process.

As a result, studios are facing increased scrutiny when their games fail to meet expectations. The industry's contraction is forcing companies to reassess their priorities and refocus on core areas where they can achieve success. This has led to a trend of studio closures, particularly those that specialize in genres or franchises with declining popularity.

EA's recent blog post announcing the closure of BioWare reflects this shift in focus, highlighting the publisher's efforts to concentrate on lucrative genres like shooters, action-adventure games, and sports franchises. The list includes titles such as Battlefield 6, Marvel's Iron Man, Star Wars Jedi game, and EA's own sports and Sims series.

Notably absent from the post is any mention of other RPGs that were previously part of BioWare's portfolio, further emphasizing the publisher's decision to prioritize more commercially viable projects. This move highlights the challenges faced by game developers in an industry where staying competitive has become increasingly difficult.

The news of EA's decision to shut down BioWare has sparked a mix of emotions among gaming enthusiasts. For many, it's not just a business move but also a loss of a beloved studio that brought them countless hours of entertainment with iconic franchises such as Mass Effect and Dragon Age.

BioWare's closure is the latest in a series of layoffs and studio shutdowns that have become increasingly common in the gaming industry. The acquisition by a private ownership group, announced in September 2025, has raised questions about whether it can shield EA from pressure to prioritize shareholder interests over innovative game development.

The loss of BioWare's creative talent and legacy franchises is deeply felt among gamers who grew up playing these iconic games. Their stories and characters have become ingrained in gaming culture, leaving a lasting impact on the industry that will be hard to replicate.

CNET: https://www.cnet.com/tech/gaming/ea-shutters-bioware-creator-mass-effect-dragon-age-kotor-layoffs/