The announcement came just over a year ago and has been followed by anticipation for her debut collection, set to arrive on Parisian runways in January. Despite taking on this new role, Wales Bonner will continue to nurture her eponymous label, which she founded with great passion.

Wales Bonner's partnership with Adidas has been a remarkable collaboration that shows no signs of slowing down. In the months following the Hermès announcement, the duo has continued to innovate and push boundaries in the sneaker world.

This week, Wales Bonner and Adidas are releasing their latest collection for fall-winter 2026, featuring new silhouettes alongside revamped classics, including the BW Army and Gazelle models.

The BW Army model has been gaining momentum this year, and designers are taking notice of its potential for further elevation in style and popularity.

Wales Bonner's design approach to the military runner swaps traditional smooth leather for a more textured look with paneled pony hair and croc-printed leather, adding an extra layer of visual interest to the classic silhouette.

The BW Army is set to be released in two distinct color options: a sleek black version and a burnt gold model featuring rich maroon interior lining, offering customers flexibility in their wardrobe choices.

The rest of the collection showcases a mix of familiar faces, including the Gazelle, Adizero Adios, and Wales Bonner's signature Karintha silhouette.

The latest collaboration between Wales Bonner and Adidas has yielded some of the most stylish sportswear pieces to emerge from the partnership so far. The apparel selection features a blue jumper that pays homage to traditional football kits, as well as a bold striped sweater in rich autumnal hues.

Wales Bonner's take on classic Adidas tracksuits remains effortless and chic, with the addition of a navy blue pinstriped short-sleeved version joining the collection. However, the true standout piece in the clothing lineup is a high-quality leather zip-up blouson in a deep dark brown finish, adorned with Adidas stripes along the arms.

The Wales Bonner x Adidas Originals fall-winter 2026 collection has now landed on shelves via CONFIRMED and select retailers, offering fashion enthusiasts a chance to get their hands on these stylish sportswear pieces.

GQ: https://www.gq.com/story/wales-bonner-adidas-fall-winter-2026

The warehouse is heavily secured with metal gates and discreet red brick walls, requiring guests to store their bags in lockers before proceeding further into the facility. Workers in white lab coats are busy unpacking items as they arrive by conveyor belt, meticulously authenticating each item, checking its condition, and repackaging it for resale worldwide.

Vestiaire Collective's authentication process has always been a multi-step approach to prevent counterfeits and fraud, but now the company faces a new test. With luxury brands such as Louis Vuitton, Dior, Celine, and Hermès being among its most sought-after labels, Vestiaire must adapt to avoid reselling stolen goods from recent incidents.

Following the weekend's unrest in Milan and Paris, the company held an emergency meeting on Monday, October 19, to brief its commercial and legal departments on how to identify suspicious listings.

Vestiaire Collective has implemented new measures to prevent stolen goods from being resold on its platform. Employees are now instructed to be on high alert for suspicious activity, specifically looking out for new profiles uploading multiple never-before-worn items in a short span of time.

In response to the recent unrest in France, the company's PR manager, Candice Francisco, emphasized that all teams are becoming increasingly vigilant. She noted that while no stolen goods have been identified on the platform so far, they are taking proactive steps by verifying all new members and their listings.

The French government has issued a warning that both buyers and sellers could face legal repercussions for purchasing items looted during the recent protests. This poses a significant challenge for resale platforms like Vestiaire Collective, which rely on buyer and seller trust to operate effectively.

Vestiaire Collective is closely monitoring the situation in France as it unfolds, with Francisco stating that they will remove suspected stolen items from their platform, restrict seller accounts, and require verified proof of provenance or purchase before allowing a listing to proceed.

The luxury resale platform has established direct lines of communication with brands, enabling them to alert Vestiaire's teams about potential stolen merchandise.

In addition to these measures, some high-end products feature unique serial numbers or other distinctive features that can aid in identification and verification.

As part of its efforts to combat the issue, Vestiaire Collective collaborates with French authorities, including law enforcement, on official requests for assistance.

The platform's involvement in addressing the problem was indirectly represented at an emergency meeting convened by France's Minister of the Economy, Roland Lescure, on October 19.

The authentication process at Vestiaire Collective is a multi-step procedure that combines human expertise with AI integration to identify potential issues with listings. This approach allows for the flagging of suspicious activity and ensures that all items comply with commercial industry standards.

In addition to detecting counterfeit goods, the platform also identifies prohibited items such as fur, exotic skins, and ivory that cannot be legally exported. By doing so, Vestiaire Collective protects high-profile sellers who wish to remain anonymous and prevents buyers from returning fake products in place of genuine ones. This process also extends to identifying sales made by employees or their family and friends.

While some listings from employee or family sales may be removed, the sellers themselves are not banned from using the platform. In cases where a brand has raised concerns about a recent employee sale, Vestiaire Collective takes steps to verify the authenticity of the item before returning it to the seller. The brands involved in these conversations remain undisclosed.

Once an item passes the initial checks, it is sent to a specialist authentication center for further examination. Here, expert authenticators use specialized tools such as UV lamps and magnifying glasses to scrutinize details like typography, stitching, engraving, and materials. Finally, quality control inspectors verify that the item's dimensions, color, and stated condition match its listing description.

The sheer volume of items being uploaded to Vestiaire Collective during peak periods, such as Black Friday sales, makes it a challenge for the platform's team to identify potential stolen goods. According to estimates, between 1,500 and 3,000 items are listed on the site each day during these events.

Despite the difficulty in spotting stolen items, Vestiaire Collective takes proactive measures to address this issue. The company has received alerts from law enforcement agencies in Italy and Germany regarding potentially stolen items on the platform prior to mass looting events. This intelligence is crucial in helping the team identify potential cases of theft.

When an item suspected of being stolen is identified, Vestiaire Collective removes it from the site and processes it discreetly without alerting the seller initially. The company then follows instructions from law enforcement agencies, shipping the item directly to them if there's sufficient evidence of theft. This approach ensures cooperation with authorities while also protecting both buyers and sellers.

The platform's commitment to addressing stolen goods is evident in its collaboration with law enforcement agencies and the importance it places on transparency regarding this issue.

Following the October 17 unrest, businesses across France took precautions ahead of the next protest on October 24, boarding up stores and hiring private security.

The measures seemed to pay off as the scale of looting was significantly lower than a week earlier, with 24 businesses affected according to preliminary government reports.

Vogue: https://www.vogue.com/article/how-vestiaire-collective-is-keeping-stolen-goods-from-being-resold

The high-profile event featured a surprise performance by the iconic boyband Backstreet Boys, who brought their signature harmonies and choreographed dance routines to the stage. Partygoers were also treated to luxurious handbags from Hermès and Chanel, handed out as favors to add to the opulence of the evening.

Drake's own wardrobe was equally impressive throughout the birthday weekend, with a discerning eye for detail evident in every outfit. On Friday night, he made a dapper impression in a black-tie ensemble featuring a sparkling tuxedo jacket, pleated suit trousers, and a crisp white shirt adorned with a diamond "D pin.

Drake's 40th birthday celebration has been marked by extravagance and generosity. The rapper brought out his one-of-a-kind diamond-encrusted Rolex Cosmograph Daytona, reportedly worth multiple millions, to add a touch of opulence to the festivities.

The partygoers were also spoiled with an array of luxurious gifts, including Chanel and Hermès handbags, which they received as part of the celebration. A game-show-style giveaway took place, offering cash prizes ranging from $10,000 to a staggering $1 million. One lucky guest even walked away with not one but two coveted items: a flap bag and a Kelly.

The entertainment at the party was a trip down memory lane, featuring a performance by the Backstreet Boys of their 1999 hit I Want It That Way." Drake joined in on the fun, singing along to the classic tune. Amidst all the celebration, the rapper also took a moment to raise a glass and offer a heartfelt toast to his guests.

As the celebrations continued on Saturday evening, Drake made a bold fashion statement by swapping his tuxedo for a striking cheetah-print Chrome Hearts jacket and bright red leather trousers.

This outfit change was perfectly suited to the occasion, as it allowed him to take center stage alongside Popcaan for an impromptu performance. The duo's energy was infectious, mirroring Drake's increasingly eclectic personal style which seamlessly blends oversized sportswear, collegiate staples, rare archival finds, and high-end accessories.

In true celebratory spirit, Drake raised a glass to his guests, marking the end of an unforgettable weekend that will surely be remembered for its extravagance and joy.

Vogue: https://www.vogue.com/article/drake-celebrates-40th-birthday

The French capital is currently hosting a packed schedule of art, sport, and fashion events, which have now been impacted by the looming threat of demonstrations. Among those affected is Art Basel Paris, a major art fair that had previously announced its opening dates for VIP guests this week.

Organizers of the event cancelled its Saturday and Sunday slots, deciding instead to close early on Friday as a precautionary measure. This decision was made in response to concerns over potential protests targeting the fair, with calls to action appearing on social media.

The cancellation is seen as a necessary step to ensure the safety of visitors, exhibitors, staff, partners, and artworks at the event.

Visitors attending Art Basel's fair on Friday are now required to present government-issued identification for entry.

The safety of all individuals involved in the fair remains the top priority, according to an email sent by Art Basel to its press contacts.

Other art institutions and events, such as Fondation Louis Vuitton, have adopted a similar approach, with some opting to close temporarily or entirely on Saturday.

This decision follows concerns about potential protests disrupting the event schedule.

Some exhibitions managed to proceed before tensions escalated; for instance, Miu Miu held a premiere celebration for Alice Dolop's "Geste de Consolation exhibition on October 20.

As the situation in Paris continues to unfold, luxury brands are prioritizing the safety and well-being of their employees and customers. Hermès executive vice president of finance Éric du Halgouët emphasized that protecting staff was a top priority after stores were looted last weekend.

The brand's Marseille store remains closed, but its Paris locations have reopened, according to du Halgouët. He expressed concern for those directly affected by the violent incidents and acknowledged the impact on employees who witnessed or experienced the disturbances firsthand.

Prada Group CEO Andrea Guerra also addressed the situation during his company's earnings call, noting that while their stores were not physically damaged, they were still impacted by the unrest. He described the events as unfortunate and expressed relief that Prada staff escaped physical harm.

Luxury brands are now navigating the challenges of rescheduling events in light of ongoing protests and safety concerns. As a result, some exhibitions and premieres have been postponed or cancelled, with others still waiting to see how the situation develops.

Many Parisian businesses have chosen to reopen their doors despite the ongoing unrest in the city, but this decision comes with its own set of risks. Some stores that were previously looted have since reopened, including upscale department store Printemps and fashion brands Celine and Hermès.

The reopening of these stores has been a testament to the resilience of Paris's retail industry, with some business owners expressing gratitude towards their employees for their hard work in getting back up and running. In a post on LinkedIn, Celine CEO Séverine Merle praised her team for their extraordinary mobilization in reopening the store.

The luxury goods conglomerate LVMH has also taken steps to mitigate the impact of the unrest, with no French store closures announced ahead of the weekend for its brands including Louis Vuitton and Dior. However, not all retailers are as fortunate, with Kering revealing that five of its stores in France were looted last weekend.

These incidents have left many business owners feeling uncertain about their future prospects, with some choosing to close temporarily rather than risk further losses. The decision to stay open or shut up shop is a delicate one, weighing the potential for lost revenue against the risk of continued vandalism and looting.

The ongoing protests in Paris have had a ripple effect on various industries, including fashion and luxury goods. Small and independent boutiques are particularly vulnerable due to their limited resources and inventory compared to larger brands.

Resale platforms such as Vinted and Ebay are also grappling with the issue of stolen items being listed on their sites. In response, these companies have increased monitoring of suspicious activity, flagging unusual patterns and behaviors that may be linked to recent events.

Vestiaire Collective has taken a proactive approach in addressing the situation, reinforcing its internal monitoring processes and collaborating with luxury brands to identify potential issues. The company's curation, authentication, and fraud teams are working together to track and verify suspicious activity.

Meetings have been held between Vestiaire Collective and affected luxury brands to coordinate their efforts and prevent further unauthorized listings of stolen merchandise. In addition, the resale platform has established dedicated channels for victimized brands to share inventory alerts with its teams, enabling targeted checks and swift action against matching items.

The heightened security measures implemented in Paris are expected to remain in place for an undetermined period of time, according to Vestiaire's spokesperson. The company is adapting its protocols to ensure business continuity during this hyper vigilance" phase.

The impact on tourism and subsequent brand performance remains uncertain, with executives acknowledging it's too early to assess the effects of reduced tourist numbers on French businesses. As a result, brands are cautiously monitoring the situation, awaiting further data before making any conclusions about potential losses or gains.

Vogue: https://www.vogue.com/article/more-planned-riots-put-off-art-fashion-and-sport-events-in-paris

Casting director Ben Grimes was on hand with creative director Stefano Gallici and his team, evaluating each model's suitability for the show. The process began with a brief introduction, followed by a short walk across the room, as models handed over their portfolio pictures.

Grimes' keen eye scanned the pool of hopefuls, some of whom displayed confidence while others appeared more reserved. As they exited, their images were placed into discreet piles labeled "yes," "no," or "maybe, awaiting further review by Grimes and Gallici.

In an effort to identify the perfect fit for Ann Demeulemeester's show, Grimes and his team considered both personal and analytical factors. According to Grimes, who worked on eight other high-profile shows this season, including Jil Sander, Victoria Beckham, and Missoni, a successful casting decision requires a delicate balance between intuition and practicality.

As the live casting process unfolded, it was clear that the selection of models for top designers' runway shows is a highly specialized and time-consuming task. In fact, Grimes worked on eight other shows this season alone, with each presentation requiring meticulous attention to detail.

Meanwhile, in Milan, another prominent casting director, Julia Lange, was preparing for her own slate of shows. With a team of 17 and a schedule that would keep even the most seasoned professional busy, Lange's agency had multiple teams working on various projects across four major fashion capitals: New York, London, Milan, and Paris.

Lange's eponymous casting agency has been a driving force in the industry since its launch in 2011. As she fielded questions between meetings with executives, it became clear that her team was spread thin across multiple shows, with five team leaders coordinating efforts to ensure seamless execution at each event.

Max Märzinger's workload has become increasingly demanding in recent years. He estimates that he often deals with two clients a day, and during Paris Fashion Week, his schedule can get even more hectic, with five clients to manage on some days.

To stay efficient, Märzinger relies on his ability to prioritize tasks and focus on the most urgent matters. This allows him to juggle multiple projects simultaneously while maintaining a high level of quality in his work.

The casting industry has undergone significant changes over the past decade. Ten years ago, brands typically handled their own model selections for runway shows and campaigns. However, with the rise of luxury brands staging numerous events throughout the year, the need for specialized casting services has grown exponentially.

Brands now require a high volume of projects to be executed quickly, which has led to an increased demand for skilled casting directors like Märzinger. This shift in the industry has transformed the role of casting into a much more complex and time-consuming job.

Lange's career as a casting director began when she was just 21 years old, working as the youngest bookings director at Vogue Germany. Since then, she has built an impressive client roster, including Fendi, Hermès, Versace, Phoebe Philo, and Alexander McQueen, in addition to newer labels like August Barron.

One of Lange's most notable achievements was casting Dario Vitale's critically acclaimed fashion show for Versace. The experience allowed her to work closely with a designer who had a clear vision, which made the casting process both challenging and rewarding.

Grimes' background as a model has given her a unique perspective on the casting industry. She began working in casting after launching her own agency in 2013 and believes that the subject is often misunderstood due to its sensitive nature.

Casting directors are now tasked with finding a mix of new faces, established models, and sometimes even celebrity cameos for brands looking to create visually appealing campaigns.

Brands' expectations have evolved over time, with many now seeking fresh talent that can capture their unique aesthetic.

According to Julia Lange, an experienced casting director, the industry has shifted significantly since she first started out. In the past, everyone wanted the same top models, making it challenging for newcomers like her to secure big names.

To overcome this obstacle, Lange looked beyond major agencies and began scouting for hidden gems in smaller agencies and even on social media platforms like Instagram.

Her agency's dedicated scouting team now travels extensively, searching for fresh faces that fit a client's specific brief. For instance, they scoured Italy and other locations to find the perfect models for Dario's Versace collection.

The casting process typically begins with a conversation between the director and the designer, where they discuss the inspiration behind the collection, the target audience, and the budget.

This initial discussion helps directors assess who is available, who needs to be discovered, and what kind of talent would best fit the brand's vision.

Casting directors must navigate complex web of relationships and negotiations to find the right models for their clients' needs.

This involves juggling multiple agents, each representing different models, who may have varying expectations about which brands or types of shoots they want to be involved in.

Getting a large number of models together at once is no easy task, as it requires coordinating schedules, travel arrangements, and other logistical details.

Politics play a significant role in the process, with models and their agents often holding out for bigger clients or specific brand opportunities that align with their career goals.

Directors must find ways to keep these negotiations from affecting the client's experience, ensuring they receive the best possible selection of models without getting bogged down in the behind-the-scenes drama.

A typical day for a casting director like Matell can be overwhelming, involving simultaneous conversations with dozens of agents and multiple rounds of negotiation before making final selections.

In some cases, even after all the negotiations are complete, last-minute issues can arise due to factors such as model availability or logistical challenges.

Troubleshooting is a crucial part of being a casting director in 2026. Grimes shares her experience with this process, highlighting that despite the challenges, disasters can be mitigated if addressed promptly.

To ensure a smooth operation, casting directors must be prepared to tackle last-minute issues, such as model availability or logistical challenges. These problems can arise unexpectedly and require swift solutions to avoid delays or disruptions.

At Paris Fashion Week, Matell is overseeing the Cecilie Bahnsen casting session. She has already selected several models, including Danish curve model Ronja Josephsen, who will be making her Paris debut. This milestone makes it an exciting experience for Matell.

In addition to established models, Matell also seeks out interesting faces from various fields, such as Elke Eisenbender and Sabrina Fuentes, the lead singer of Pretty Sick. These unique individuals bring a fresh perspective to the casting process.

To keep the casting session organized, Matell uses quick codes with her assistants in the foyer. For instance, FTG" stands for "free to go," indicating that the model is clear to proceed. This efficient system helps maintain a smooth and safe environment for all participants.

At Ann Demeulemeester's casting, Grimes takes steps to prevent overcrowding, which can lead to models waiting outside in the rain. She requests her team member to keep the flow of models moving, ensuring that everyone is treated with respect and dignity.

Casting directors like Matell emphasize the importance of treating models as individuals rather than mere commodities. With a high demand for new talent, it's easy to overlook the people behind the faces. However, by educating models about the casting process and its expectations, directors can minimize unnecessary stress or disappointment.

As a casting director, Paloma's new creative vision requires finding individuals who embody cultural relevance in various fields.

To achieve this goal, Schofer has built a community of creatives, including magazine editor Tish Weinstock and French singer-songwriter Santa (Samanta Cotta), whom she roped into walking for the brand.

Santa was not initially intended to walk, but her impromptu visit turned into a successful casting call, showcasing her natural charm on camera.

With over eight years of experience working with Cos, Schofer has seen significant changes in the brand's approach to casting, starting from its early days when it focused on real-life professionals.

Initially, the brand aimed to cast architects and chefs, but after conducting market research, they found that these individuals made up a small percentage of their customer base.

Vogue: https://www.vogue.com/article/what-its-like-to-be-a-casting-director-in-2026

The NFL has expanded its international reach this season, staging a record nine games abroad, each with all the trappings of a mini Super Bowl. The Dallas Cowboys, designated home team against the Baltimore Ravens, brought their signature style to Brazil, complete with smoke machines and rhinestones.

As part of this global effort, the Cowboys' cheerleaders have been making headlines, particularly with Netflix's docuseries America's Sweethearts: Dallas Cowboys Cheerleaders, now in its fourth season. The show offers a behind-the-scenes look at the lives and rigorous training regimens of these 36 women.

The squad's iconic uniforms are a testament to their enduring appeal, having entered the Smithsonian's collection as a symbol of American sports culture. For fans who have watched them on screen or recreated their choreography on TikTok, the experience was both familiar and thrilling, all the more so for those who had doubted the authenticity of these high-flying athletes.

Fans like Charly Barby, whose personal story has been featured prominently in the docuseries, were particularly invested in the team's success. Having overcome setbacks during her first year with the squad, she was determined to make a comeback and prove herself all over again.

The response from Brazilian fans at the NFL's Rio debut was unlike anything the Dallas Cowboys Cheerleaders had ever experienced before. The loud cheers and chants of Thunderstruck by AC/DC were a testament to the country's infectious energy.

Brazilian fans are renowned for their passion, and it showed in full force throughout the game week. From the massive Cowboys-Ravens jersey sculpted from Copacabana's sands to the helmet-shaped hot air balloon hovering above Lagoa Rodrigo de Freitas, every detail was a reflection of the city's vibrant spirit.

The city, which has hosted numerous high-profile events including the World Cup and Olympics, brought its famous Carioca hospitality to the game week. This was evident in the various activities that took place beyond Maracanã stadium, showcasing the city's unique blend of culture and sports.

A summit on sport's role in advancing inclusion for women was held ahead of Brazil's 2027 Women's World Cup, highlighting the country's commitment to promoting equality through sports. Cheerleaders from both teams also joined flag football clinics, encouraging women and young people to try the sport ahead of its LA28 Olympic debut.

The city's hospitality extended to a world premiere event, where the story of an underdog Brazilian football team was chronicled on film. The Coritiba Crocodiles' remarkable journey to the national championship after losing three teammates in a bus accident was a poignant reminder of the power of sports to unite and inspire people.

The Dallas Cowboys Cheerleaders' visit to Rio de Janeiro was a transformative experience that allowed them to connect with their Brazilian counterparts on a deeper level. This emotional connection was palpable as they rehearsed at the iconic Maracanã stadium, completing over 10 full run-throughs in preparation for the NFL International game.

Headlining the halftime show were Ricky Martin and Pedro Sampaio, two openly LGBTQ+ men making history with their performance. According to Sampaio, this event marked a significant milestone as it was the first NFL halftime show headlined by two individuals from the LGBTQ+ community.

The energy of the Brazilian crowd is renowned for being explosive, and both Martin and Sampaio acknowledged its unique intensity. Martin expressed his enthusiasm for the event, stating that he believed it would be the best performance yet, surpassing his previous experiences in Germany and Australia.

To bring this high-energy show to life, choreographer Parris Goebel was enlisted to blend the DCC's crisp formations with a fusion of funk, samba, hip-hop, twerking, and voguing from Brazil's ballroom scene. This unique collaboration marked Goebel's first partnership with a Brazilian artist.

As game day approached, the cheerleaders arrived at Maracanã five hours early for a full run-through of their routines, adjusting to the grassy terrain and hot, humid weather conditions. Some members of the squad made last-minute beauty adjustments, such as Charly who applied extra liquid foundation over her usual combination of products.

The Dallas Cowboys Cheerleaders have a keen eye for fashion trends, and their position along the sidelines of the NFL's Rio debut game gave them an unobstructed view of the stylish crowd.

While taking in the sights, they spotted some creative fans who had made their own DCC-inspired uniforms. This attention to detail is a hallmark of the cheerleaders' aesthetic.

One particularly striking outfit was worn by influencer Virginia Fonseca, who boasts over 55 million followers on Instagram. Her custom corset, crafted from deconstructed Nike soccer cleats, paired with oversized jeans and accessories from luxury brands like Hermès and Cartier, made her a standout in the crowd.

Game-day style is all about expressing one's unique identity, according to Fonseca, who appreciates seeing individuals move beyond following popular trends. Her comments reflect the cheerleaders' own approach to fashion, which emphasizes individuality and self-expression.

The halftime show was another highlight of the evening, with performances by Ricky Martin and Pedro Sampaio that left the crowd in awe.

The Dallas Cowboys Cheerleaders were now part of a global sisterhood, having traveled to Brazil for the NFL's inaugural game in Rio de Janeiro.

For some of them, this was their first time outside their hometowns, and being on stage with international performers like Ricky Martin added to the excitement.

The halftime show had been electrifying, but what caught the attention of many was the sense of camaraderie among the cheerleaders, who had bonded over their shared experience in Brazil.

They had come from different parts of the world, but now they felt a deep connection with each other, like they were best friends" as one of them put it.

The game itself had been intense, with both teams giving their all until the very end.

The highly anticipated NFL match between the Baltimore Ravens and the Dallas Cowboys was played out in front of a packed crowd at Maracana Stadium in Rio de Janeiro, Brazil on September 27, 2026.

The stadium's iconic Christ the Redeemer statue loomed large over the event, its facade transformed into an impressive NFL projection for the occasion. The electric atmosphere inside the stadium reflected the excitement and energy of the Brazilian fans, who had been eagerly awaiting this momentous event.

As the game reached its climax, the tension on the field was palpable. George Pickens of the Dallas Cowboys struggled to make a catch as Nate Wiggins of the Baltimore Ravens defended with all his might. The intense rivalry between the two teams was evident in every move they made.

The match may have been intense, but it ultimately ended with the Baltimore Ravens emerging victorious.

Vogue: https://www.vogue.com/slideshow/the-dallas-cowboys-cheerleaders-ricky-martin-pedro-sampaio-nfl-rio

Meanwhile, icy sky blue has made a consistent appearance on runways, while chartreuse remains an unexpected favorite among designers.

However, at last week's Balenciaga show, creative director Pierpaolo Piccioli opted for a bold new direction. His collection featured chiffon gowns and evening dresses in vibrant citrus hues, as well as the brand's new Silhou bag styled with a couture-inspired white tee and jeans.

The use of citrus colors is not a departure from Piccioli's usual affinity for bright, unexpected hues. He has been experimenting with bold colors throughout his career, including at Valentino where he once showcased 48 out of 81 looks in a distinctive magenta shade now known as Pink PP.

Tailored trousers and a short robe coat in a slightly redder shade of orange made an appearance at Courrèges for its new creative director Drew Henry's debut.

The vibrant hue continued to dominate runways over the weekend, with Nadège Vanhée incorporating it into her Hermès collection on Saturday. Her designs spanned from shirt dresses and maxi skirts to bra tops and handbags in various orange shades.

At Miu Miu, babydoll dresses took center stage in bold orange hues, some featuring crystals at the front for added embellishment. Another design layered an orange dress over swimwear for a playful touch.

Matthieu Blazy's Chanel collection rounded out the week with a top and skirt set featuring floral embroidery and white buttons bearing the CC logo. A croc-effect bag with a decorative chain strap added an unexpected pop of color against a red tweed jacket.

Designers are reinterpreting orange as a bold statement color for Spring 2027, moving away from last season's neutral tones.

This season's orange is not just limited to loud and bright hues, but also comes in more subtle and nuanced shades that can add an unexpected pop of color to outfits. Take the ethereal gowns by Piccioli at Balenciaga or the embellished mini dresses for Miu Miu, which showcase the versatility of this vibrant shade.

After seasons of quiet luxury neutrals, it was only a matter of time before designers swung back towards statement-making fashion and accessories in bold colors that evoke some sort of reaction.

Harper's Bazaar: https://www.harpersbazaar.com/fashion/a74069615/spring-2027-orange-color-trend/

French ballet dancer Hugo Marchand was among the star performers at the gala. When asked about attending the Paris Opera Gala, Marchand described it as an "exciting and beautiful experience". He expressed his gratitude for being able to share the stage with the whole company, which is a unique opportunity.

Marchand has strong ties to the Paris Opera Ballet, having entered its school in 2007. Since then, he has performed numerous times at the Opéra Garnier and toured with the company to cities including Madrid, New York, and Japan.

Marchand's choice of outfit was not just about making a statement, but also about reflecting his personality.

The black Hermès leather jumpsuit he wore to the festive gala is a striking piece that stands out from traditional formal wear.

In fact, this particular style has been re-edited by Véronique Nichanian from her fall 1991 menswear collection for Hermès, and Marchand was able to get his hands on it from the house's latest collection.

The jumpsuit has undergone a significant transformation since its original debut, making it feel fresh and modern.

The jumpsuit that Hugo Marchand wore to kick off his dance season was a significant departure from his typical stage attire. The delicate details in the design gave it a fresh and modern feel, a far cry from the more dancerly and lightweight styles he usually dons on stage.

For the rest of the month, Marchand will be trading in his edgy jumpsuit for more movement-ready attire as he takes to the stage in L'Histoire de Manon. This sentimental production marks a significant moment for him, as it was one of his first leading roles when he was just 21 years old.

Marchand has been dancing in this production since early September and describes it as a very demanding ballet both technically and emotionally. He will be sharing the stage with Dorothée Gilbert, who is marking her farewell performance on Thursday after more than 10 years of performing together.

As a dancer in the male lead role of "Des Grieux, Hugo Marchand requires exceptional physical fitness due to the demanding nature of the part, particularly during pas de deux lifts that can be perilous.

Following his final performance as L'Histoire de Manon" in Paris at the end of this month, Marchand plans a brief respite before joining the production for performances in Buenos Aires and London. The Teatro Colón in Buenos Aires and the Royal Ballet Covent Garden in London will host the show in November.

During his rare days off, Marchand focuses on physical recovery as well as mental and emotional rejuvenation.

Vogue: https://www.vogue.com/article/hugo-charmand-paris-ballet-dancer-diary-10-13-2026

LVMH, Hermès and Kering have seen their shares plummet by 40%, 39% and 30% respectively since the start of the year, while Richemont has remained relatively stable. The luxury sector's overall performance in Q3 is expected to be lackluster, with some analysts predicting a decline in sales.

HSBC estimates that luxury sales will grow only 1% in Q3, compared to the same period last year, and even this modest growth may not materialize. This comes on the back of a slow second quarter, where luxury sales increased by just 7%. Analysts point to the deteriorating economic situation in China as one factor contributing to the expected decline.

The slowdown is particularly concerning for LVMH, considered the bellwether of the sector, which is forecast to grow only 1% in Q3. Its key fashion and leather goods division is expected to fall by 2%, a reversal from its modest growth in Q2.

Luxury brands are bracing for a slowdown in sales growth across various regions, including China and South Korea.

China's luxury market has experienced a sequential deceleration, partly due to the introduction of a new tax on foreign assets. This development is being closely watched by analysts who predict that it will have a significant impact on the country's luxury sector. Goldman Sachs' luxury analyst Erwan Rambourg suggests that the question on everyone's mind is what it will take for China to stabilize.

The trademark infringement case involving Louis Vuitton and its four-petal emblem, which was used by a Chinese company without permission, has also raised concerns about the impact of intellectual property disputes on sales. The incident has sparked much debate on Chinese social media, with many questioning the legitimacy of the use of luxury brands' logos. Analysts expect this issue to have a temporary but noticeable effect on LV's sales in China.

In South Korea, the luxury boom that was fueled by wealth generated in the tech sector is expected to moderate in Q3. The country's AI-driven economy has been driving demand for luxury goods, but analysts predict that this trend will slow down.

The luxury market's momentum is slowing down as it enters its third quarter, according to analysts. This slowdown is largely due to a tougher year-on-year comparison basis, making it harder for companies to achieve the same level of growth they experienced in previous periods.

Tourist flows across Europe are also showing signs of weakness, with Asian visitors yet to return and American tourists being the only significant source of demand. Middle Eastern tourism in Europe has not fully recovered from the pandemic-era decline either, which could have a negative impact on third-quarter performance.

The US market is expected to be weaker than previously anticipated due to consumers' cautious attitudes and volatility in equity markets. Analysts predict that this will result in a softer quarter, but they are optimistic about the holiday season, when sales typically pick up.

Jewelry remains a bright spot in the luxury industry, with Richemont's jewelry division expected to continue its upward trend. The division, which includes iconic brands like Cartier and Van Cleef & Arpels, is estimated to see a 17% increase in sales this quarter.

The luxury industry's slowdown is not necessarily a cause for concern, according to some analysts. A healthy development, they argue, could be just what the market needs after years of rapid growth. This cautious optimism comes as several high-end watch and jewelry brands are poised to see significant increases in sales.

LVMH's watches and jewelry division, which includes Tiffany & Co. and Bvlgari, is expected to grow by 11% this quarter. Meanwhile, Kering's jewelry segment, home to Boucheron and Pomellato, is forecast to increase its sales by 14%. These numbers suggest that the demand for luxury jewelry remains strong.

Industry insiders point out that jewelry has been one of the few bright spots in an otherwise sluggish market. This trend is attributed to the fact that jewelry tends to target more affluent consumers who are often less affected by economic downturns. As a result, jewelry brands have managed to stay resilient despite the overall slowdown.

However, some experts warn that jewelry brands may become victims of their own success if they continue to grow at an unsustainable rate. Overexposure is seen as a potential threat to these luxury brands' long-term viability, and industry insiders are keeping a close eye on this development.

The latest fashion collections from luxury brands are hitting stores, but their impact on third-quarter earnings is being closely watched by analysts. Dior's Fall/Winter 2026 collection arrived in stores on September 22, while its cruise collection, presented in Biarritz, will be available in November.

Analysts' forecasts for Dior's performance vary, with HSBC predicting a slight deceleration from the previous quarter, expecting 1% organic growth. In contrast, Goldman Sachs is more optimistic, forecasting 6% growth for Dior in the third quarter. This is despite an expected decline of 2% in LVMH's fashion and leather goods division.

The upcoming GucciCore collection, set to arrive in stores from October/November, is seen as a potential driver of positive organic sales growth in Q4. Industry experts are cautiously optimistic about the prospects for a return to growth, but acknowledge that the current quarter will likely be challenging.

Vogue: https://www.vogue.com/article/luxury-s-third-quarter-earnings-cheat-sheet