The Walton Institute’s Aileen Drohan discusses her swap from artwork to STEM and why it is ‘vital’ to join science with on a regular basis life.
Before venturing into tech, Aileen Drohan had a profession within the artistic industries as an artist, photographer and part-time lecturer at South East Technological University (SETU).
“I’ve always been curious about how things work, and how art and creativity help people make sense of the world around them,” she tells SiliconRepublic.com.
In 2021, Drohan determined to pursue a brand new space – STEM.
While finishing the next diploma in laptop science at SETU (then referred to as Waterford Institute of Technology), she started an internship on the Walton Institute, the place she nonetheless works at the moment as a software program analysis engineer within the Mobile Ecosystem and Pervasive Sensing (MEPS) division.
“My background in art taught me to experiment, problem solve visually and connect ideas in new ways, while later studies in computer science gave me the technical tools to explore those ideas further,” she says. “Research felt like the best house to convey these two views collectively, a spot the place creativity and expertise meet to discover how individuals study, create and innovate.
“That creative background continues to influence everything I do, shaping my interest in how creativity, design and technology can come together to make STEM more engaging and accessible.”
Getting artistic
In the Walton Institute’s MEPS division, Drohan specialises in e-textiles – materials embedded with digital elements resembling batteries, lights, sensors and microcontrollers.
As a part of her position, she develops and contributes to tasks that join science and expertise with communities. In truth, she is presently piloting classroom sources as a part of the Entire European Digital Innovation Hub (EDIH), supporting major and secondary academics to “build digital capacity”.
“My work sits at the intersection of education, sustainability and innovation, exploring how STEM can be woven into everyday life through curiosity and creativity,” she explains.
Her wider analysis focuses on engagement by “creativity and making”, she says, with a powerful emphasis on e-textiles, using circuits in material and craft-based contexts “to spark curiosity and conversation”.
One instance of this could be seen in a latest Creative Ireland Kilkenny mission referred to as ‘Shed the Light’, the place she labored with members from Ferrybank Men’s Shed and the broader neighborhood to discover low-power photo voltaic breadboarded circuits and solar-powered e-textiles – “combining sustainability and craftsmanship in a playful, hands-on way”.
Drohan additionally works carefully with Waterford Libraries to develop and ship neighborhood studying workshops, exploring how creativity, expertise and sustainability can work collectively “to shape a more resilient future”.
“I think it is vital to connect science with everyday life,” she says.
“When studying occurs by making or by fixing issues that matter personally, STEM turns into approachable and related.
“This is what makes activities like using conductive thread with sewing knitting groups, learning about solar energy and by breadboarding circuits with community groups, or learning how to use plant sensors to care for house plants at home, so powerful. They turn abstract ideas into something people can see, touch and understand.”
Democratisation and momentum
As Science Week celebrates 30 years this week, with a whole bunch of STEM occasions going down throughout the nation, we requested Drohan what she believes to be essentially the most impactful improvement in science over the past three many years.
“For me, it’s been the democratisation of technology,” she says. “Over the previous few many years, instruments like sensors, microcontrollers and open-source platforms have develop into inexpensive and accessible to nearly anybody with curiosity and an web connection. That shift, powered by decrease {hardware} prices, open-source software program and world on-line studying communities, has lowered the obstacles to experimentation and innovation.
“It’s enabled artists, educators and community makers to engage with science in creative, hands-on ways that were once only possible in labs or industry. This accessibility has shaped much of my work, allowing me to combine art, design and technology to make STEM more inclusive and connected to everyday life.”
For the longer term, Drohan says she’s optimistic about Ireland’s STEM neighborhood. She notes the continued presence of “strong research activity” throughout the nation’s universities and institutes, in addition to the rising presence and appreciation of interdisciplinary collaboration in tackling “the complex challenges the world is facing”.
“There is strong momentum in research, education and industry, and a growing understanding that collaboration across disciplines is essential for progress,” she says. “I believe we need to keep broadening participation, building diverse pathways for engagement to make sure people of all ages and backgrounds can engage with STEM in ways that are meaningful to them.”
Don’t miss out on the data you want to succeed. Sign up for the Daily Brief, Silicon Republic’s digest of need-to-know sci-tech information.